Infinia guitars are primed for prog, fusion and any boundary-pushing style that demands precision and a tight, controlled sound. Built in Europe by a small team, each instrument is crafted using high-quality materials and sustainable practices, with a clear focus on modern design and playability.

Founded in 2023 by Brian van Zwietering, Daan van Dijk and Maikel van der Wel, the company has worked alongside some of the industry’s most innovative designers, including Sheldon Dingwall, who created an exclusive Infinia original called the Titan. But it’s Infinia’s Padalka connection that makes its story particularly interesting. Many of the brand’s current electric guitars breathe new life into discontinued Padalka models, preserving their legacy following a major shake-up in the company’s lineup.

We had a chat with Daan van Dijk about the story behind this unique tie-up, what makes Infinia guitars special and why it’s a name that guitarists should be keeping a close eye on.

10 questions with Daan van Dijk

1. What inspired you and your team to start Infinia Guitars?

It really was a case of the right opportunity coming along at exactly the right time. Maikel and I have spent our entire careers in the musical instrument industry and worked together for the same company for the last eight years. At the time, Maikel was leading the QC and repair department, while I was working as a product manager.

We both shared a passion for high-end metal guitars, and it wasn’t unusual for us to spend our breaks showing each other photos of incredible custom builds we’d found online. More often than not, those guitars were made by Padalka as he was easily our favourite builder.

As a trained luthier, Maikel would explain the construction techniques and point out the details that made those instruments so special. With my background in repairs and woodworking, I was equally fascinated by the craftsmanship. Naturally, my mind would then drift toward the commercial side of things, thinking about how a brand like that could fit into the market.

Having worked with high-end guitar brands for many years, we knew exactly what we were looking for and, just as importantly, what we wanted to avoid.

When the opportunity came along to continue the original Padalka catalogue, everything suddenly fell into place. Between us, we felt we had the experience, the network, and the knowledge to give those guitars the future they deserved. So, the inspiration for Infinia Guitars came from years of passion for exceptional instruments. The opportunity to continue the Padalka legacy was simply the spark that turned that passion into a company.

2. How did the Padalka partnership first come together?

As longtime fans of Simon’s work, we actually had two custom guitars on order with him. Then, one day, Simon contacted me with the unfortunate news that he had to cancel those orders. The war had broken out in Russia, where he was living at the time, and he had made the difficult decision to sell his workshop and move to Canada.

I asked if he wanted me to introduce him to our friend Sheldon Dingwall, thinking Sheldon might be able to help him find his place in the Canadian guitar industry. Simon laughed and told me that wouldn’t be necessary as he had already accepted a position at Dingwall as a Master Builder. While we were genuinely happy for him, he also explained that he would be retiring his existing guitar catalogue. With most of his time dedicated to building bass guitars at Dingwall, he simply wouldn’t be able to continue producing his own models.

That news stayed with us for a while. We kept thinking about those guitars and what would happen to the designs that we had admired for so many years. Eventually, we had a long conversation with Daria Padalka, and she gave us the opportunity to acquire the rights to Padalka’s original catalogue.

That was the moment everything changed. Suddenly, it wasn’t just an idea anymore as we had the responsibility to decide what the future of those instruments would look like, and to make sure their legacy would continue in the right way.

3. How did you convince Daria and Simon that Infinia was the right home for their designs?

From their side, the decision had already been made to retire the original Padalka lineup, so that was never really part of the discussion. The real conversation was about which models we wanted to continue and what that continuation should look like.

There was one particular model that Simon felt strongly about preserving, while Daria had a very clear vision of what the future of the brand should be. For her, it was essential that production remained in Europe and that the legacy they had spent so many years building would be respected rather than reinvented.

That actually aligned almost perfectly with our own vision. We never wanted to turn these guitars into mass-produced instruments or take production overseas. Our goal was to preserve everything that made them special while making them available to a wider audience. In the end, it wasn’t about convincing anyone. It was about making sure we all shared the same vision for the future and agreeing on the best way to carry that legacy forward.

4. Why was it important to keep production entirely in Europe?

That really came down to the level of quality we wanted to achieve. Having worked with high-end guitar brands for many years, we knew exactly what we were looking for and, just as importantly, what we wanted to avoid. The challenge wasn’t defining the standard, it was finding the right manufacturing partner who shared that vision and could consistently deliver both the quality and the production capacity we needed.

From the very beginning, we knew production had to stay in Europe. It wasn’t just about quality; we also wanted to build a close working relationship with the people making our guitars. Being able to visit the factory, discuss improvements face-to-face, and work together on new ideas is incredibly valuable to us.

A lot of people don’t realize how much work we still do ourselves before a guitar is ever assembled. We source, resaw, level and prepare every top in-house because we want complete control over the look and quality of each piece of wood. Depending on the model, we also make neck laminates, fretboard inlays and body blanks ourselves. We carefully source our hardware, and in some cases we even design custom guitar parts specifically for our models.

One detail that really reflects our philosophy is the wooden Certificate of Authenticity that comes with every guitar. Each one is handmade by us and crafted from the same piece of wood as the guitar’s top, making every certificate unique to that instrument.

It’s a very hands-on and labour-intensive way of working, but it’s also what allows us to maintain the level of consistency and attention to detail we’re aiming for. To make that possible, we needed a manufacturing partner we could trust completely as one that’s close enough for us to work together throughout the entire process.

5. What was the biggest challenge in bringing the Ceres and Neptune back?

Acquiring original guitars to reverse engineer was probably one of the biggest challenges of the entire project. We eventually managed to buy back the Padalka CS that Simon had originally built for Protest the Hero. We also tracked down a Neptune that belonged to a collector in Switzerland.

[What] really surprised me was how many people told us we had the best-playing guitar at NAMM.

Once we had both guitars, the real work began. We completely disassembled them to understand every detail of how they were built and created accurate CAD models of every component. From there, we moved into the prototyping phase, which was incredibly exciting. It was the moment of truth to see if we could faithfully recreate what made those guitars so special.

6. How did the collaboration with Sheldon Dingwall on the Titan happen?

As I mentioned before, we already knew Sheldon Dingwall as he was a long-time business contact. The company I worked for was the European distributor for Dingwall, so we’d known each other for many years. A long time ago, I actually showed Sheldon a mock-up of a Dingwall-inspired guitar in the hope that it might inspire him to build one. He deliberately chose not to, because he wanted Dingwall to stay fully focused on basses.

Years later, while we were working on the Padalka models, I came across that old mock-up again. It felt like the perfect opportunity to revisit the idea, this time as an official collaboration. I spoke to Sheldon once more, and when we showed him our first CS and Neptune prototypes at Guitar Summit 2024, he immediately embraced the concept. He told us he wanted to build his own vision of what a Dingwall guitar should be.

About a month before we officially launched Infinia Guitars at Guitar Summit 2025, the prototype arrived. As you’d expect from Sheldon, the execution was exceptional. Rather than simply adapting one of our existing designs, he took a completely fresh approach. He designed a seven-string guitar with a 27″–25.2″ multi-scale layout, yet the overall length is actually shorter than a traditional S-style guitar. The result is an instrument with the string tension and sound of a long-scale multi-scale, but the comfort and compactness of a much smaller guitar.

From that point on, it became our job to refine the design, integrate it into the Infinia lineup, and prepare it for production. That’s really where the Titan story began.

7. Can you explain Controlled Mass Reduction (CMR) and why it matters to players?

One of the challenges we ran into during development was the weight of the guitars. We know that for a lot of players, a heavy instrument can be a real downside, so we wanted to find a way to keep the weight as consistent as possible.

The biggest variable is the wood itself. Both the body wood and the top can vary quite a bit in density and weight, even when they’re the same species. Because of that, we’ve developed a system where we take those differences into account during the build process and adjust certain elements accordingly. The goal is to keep the finished guitar within a predictable weight range instead of leaving it entirely to chance.

Time and again, people told us they were ready for a new high-end brand focused on modern metal guitars.

It’s still a system that’s evolving, and the more guitars we build, the more data we collect. That allows us to refine the process and gives us even more control over the final result.

8. What’s the difference between the Icarus/Nautilus and Avalon/Exelion pickup sets?

That’s an interesting question. During the development of our guitars, we spent a lot of time debating which pickups should become our standard set. To make the process as objective as possible, I built a guitar with a quick-change pickup system that allowed us to swap pickups in just seconds. That meant we could compare a large number of pickup sets under exactly the same conditions.

We each did our own blind tests, and we also invited a number of other players to do the same. Surprisingly, the results were remarkably consistent. The Icarus/Nautilus set came out on top almost every time, so that became our standard pickup configuration.

After we launched the guitars at the Guitar Summit 2025, we were getting some requests from players looking for something with a little more output. Fortunately, we had a guitar fitted with the Avalon/Exelion set with us and we asked people to compare the two back-to-back. The results were almost a perfect 50/50 split, which convinced us there wasn’t a single “best” choice. Instead, there were two different types of players with different preferences, so we decided to offer both options.

The easiest way to describe the difference is this: the Icarus/Nautilus is a more traditional, medium-output set that fits perfectly with the current trend of players moving back toward lower-output pickups with plenty of dynamics and clarity. The Avalon/Exelion set is designed for players who want a modern, tight, high-output sound, delivering plenty of aggression while still retaining the mids that help a guitar cut through a mix.

9. What has surprised you most since launching Infinia Guitars?

Without a doubt, that has been the response from the market. Time and again, people told us they were ready for a new high-end brand focused on modern metal guitars. We heard it from players, but just as importantly, from dealers.

The second thing that really surprised me was how many people told us we had the best-playing guitar at NAMM. We kept hearing it throughout the show, and after a while it became hard to ignore. Receiving that kind of feedback from so many different people was incredibly rewarding and gave us even more confidence that we’re on the right track.

10. What’s next for Infinia that guitarists should be excited about?

We’re almost ready to ship the first Titan models, and we know a lot of people have been looking forward to finally getting their hands on one. While all our focus is on getting these first Titans out the door, we’re already deep into projects planned for late 2026 and 2027. With Guitar Summit and NAMM on the horizon, we’re putting the finishing touches on some very exciting new developments.

Alongside left-handed models, single-pickup versions and multi-scale guitars, we’re also exploring completely new body shapes and collaborations with designers, artists and bands. There’s a lot happening behind the scenes, and we’re excited about where we’re taking the brand over the next few years.

Infinia guitars on Andertons TV

Want to hear them in action? Watch John “Digital John” Connearn put a couple of Infinia’s models through their paces in our NAMM video below, while head honcho Lee Anderton gets the lowdown from Daan:

Follow Infinia Guitars online

Love the look of these instruments? Stay in the loop with the latest news, models and more from Infinia:

• Follow @infiniaguitars on Instagram
• Follow @InfiniaGuitars on Facebook

Be sure to bookmark the Andertons Blog too. We’re always posting fresh content, from in-depth learn articles to the latest gear news.

To Infinia and beyond!

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The post Infinia Guitars: interview with co-founder Daan van Dijk appeared first on Andertons Blog.

As one of the world’s largest cities, you’ll never run out of things to do in Tokyo. It’s crammed with attractions, from fancy department stores and centuries-old shrines to Michelin-starred restaurants and multi-storey arcades. And if you’re a guitarist heading to Japan’s capital soon, we’re willing to bet Fender Flagship Tokyo has already made your list of potential places to visit.

It’s the only dedicated Fender store in the world, having opened in summer 2023 in one of the city’s most famous fashion hubs. I was lucky enough to set foot inside during a trip to Japan earlier this spring. Well, it was actually my second visit, as I also travelled to Japan on my honeymoon last year. The difference this time was that I wasn’t rushing through in 10 minutes — I had the chance to explore every floor and spend some proper time with a couple of rad Fender Japan guitars.

Before I get into the experience itself, it’s worth mentioning that this Fender Flagship Tokyo review comes from the perspective of a regular customer (albeit one who knows a thing or two about Fender!). I didn’t rock up in an Andertons tee asking for a VIP tour, because that’s not the experience most visitors will have.

First though, let’s run through a few quick FAQs covering where Fender Flagship Tokyo is located, how big it is and what gear you can expect to see.

Where is the Fender Flagship store in Tokyo?

It’s in the heart of Harajuku, one of Tokyo’s most popular shopping districts and a hotspot for Japan’s renowned ‘kawaii’ culture (that means cute, by the way). Situated among a cluster of designer fashion stores and tech retailers in the striking Ice Cubes building, Fender Flagship Tokyo is pretty hard to miss. Its glass exterior and huge video screen, which cycles through clips showcasing Fender’s latest products, make it one of the area’s most eye-catching storefronts.

The shop is just a two-minute walk from Meiji-Jingumae Station on the Chiyoda and Fukutoshin lines, or five minutes from Harajuku Station. That means it’s an absolute doddle to get to if you’re staying anywhere near central Tokyo. Trains in Japan are regular, fast and famously punctual too.

Location: 1-8-10 Jingumae, Shibuya-ku, Tokyo 150-0001, Japan

How big is the Fender Tokyo flagship store?

Shopping in Tokyo is awesome, but it can sometimes feel a little claustrophobic, especially in bustling areas packed with tourists. Luckily, Fender Flagship Tokyo is huge, with 1,068.4m² of floor space spread across four levels, from the basement right up to the third floor. It’s spacious enough that you can browse every area and explore every corner without feeling cramped or getting in anyone else’s way.

What’s inside the Fender Flagship Tokyo store?

Fender Flagship Tokyo stocks pretty much every type of Fender product you can think of, including electric guitars, basses, acoustic guitars, amps and guitar pedals. The latest artist signature models are prominently displayed throughout the store too, alongside a selection of Japan-exclusive instruments that you won’t normally find elsewhere.

It’s not all about guitars, either. You’ll also find Fender’s latest lifestyle accessories and its exclusive ‘F IS FOR FENDER’ streetwear clothing range. Oh, and if you’ve got particularly expensive taste, you can even place a Fender Custom Shop order up on the top floor.

First impressions

My wife and I arrived at Fender Flagship Tokyo a little before 7pm, which meant we had just over an hour to look around before closing. The first thing I noticed was just how much busier it was compared to my visit the previous year. And with more customers browsing and testing gear, there was a real buzz about the place that made it feel even more inviting.

Unlike many shops over here in England (of course, I’m not counting Andertons when I say this), there were loads of staff about. While most were already helping other customers when we first arrived, it was great to see them actively engaging with people rather than standing around waiting.

1st floor: 75th Anniversary guitars, signature models & merch

After taking a moment to let my eyes adjust (going from a dark Tokyo street to a super-bright showroom is quite jarring), I started having a good mosey around. What caught my attention right away was a large display showcasing Fender’s 75th Anniversary Collection, which had only launched a couple of months before my visit.

Sitting off to my right, the range’s Player II Telecaster and Precision Bass were also impossible to ignore with their glitzy Diamond Dust Sparkle finishes. It’s worth saying that these look way better in person than they do in the official product photos.

But of course, what I wanted to see most were some of the Japan-exclusive models we don’t get here in Europe. I’m a sucker for rare, unusual guitars. The first of these was tucked just to the right of the main till among a display of the latest Fender Artist Series guitars, including the Jack White Triplecaster and Mike McCready Strat.

The guitar in question was a quirky white Stratocaster built for alt-rock star Ken (dubbed ‘Experiment #1’), featuring a clear pickguard, gold hardware and a unique gold-painted forearm contour. Apparently, its looks are inspired by kintsugi — the Japanese art of repairing broken pottery by mending cracks with powdered gold. Funnily enough, I actually did a workshop on this during the same trip.

I asked a member of staff if I could try it out, and she kindly set me up on a Fender Mustang Micro Plus test station. This was so I could plug in with headphones and play some mediocre Dad-blues licks without annoying anyone. I flicked through a few patches on the Micro and, while it sounded great, the guitar didn’t quite feel as nice as it looked. The chunky neck and smaller frets just aren’t my usual vibe. It was gorgeous though…

Other highlights on the first floor included three Japan-exclusive Esquires decorated with Hokusai artwork, plus the ‘F IS FOR FENDER’ lifestyle and fashion section towards the back of the store, which had some really cool pieces. By this point in the trip though, I’d already spent far too much money on clothes (as my wife loved reminding me). So, I behaved myself and we made our way up to the second floor.

2nd floor: Fender Japan exclusive guitars

When I briefly stopped by Fender Flagship Tokyo last year, I didn’t have time to go upstairs and check out the other floors. And my word, was I surprised by how much more there was to see. Even the stairwell felt like an art installation, adorned with prints of both Japanese and international Fender artists.

On the way up, there were a couple of glass cases showing off some killer Custom Shop collabs — very much teasing what was to come on the top floor. We then walked into the main second-floor showroom, which was largely dedicated to Fender Japan-exclusive models. This was probably my fave part of the store, as it was filled with guitars boasting eccentric specs and finishes that I truly wish we could get more of over here.

The first thing that caught my eye was a sweet double-bound Surf Green Telecaster. Then a very rock ‘n’ roll-looking salesperson approached and encouraged me to try it out. Not in a pushy way either — she was super chill (Japanese customer service is famously top-notch). I said I was just browsing, then my wife asked her what her favourite guitar on the floor was. She took us over to a corner I’d completely missed, tucked away beside a few Fender bass guitars.

Bloody glad too, as this almost-hidden display featured two of the coolest Strats I’ve ever seen. They were Japanese artist Michiya Haruhata’s signature models, one in Caribbean Blue Trans and the other in Trans Pink. She has great taste, I must say.

And I’m not gonna lie, I’d seen the blue Strat pop up on my Instagram feed a few weeks before travelling to Japan. But I wasn’t expecting to find one in the flesh. And specs-wise, it’s everything I love: a quilted Maple top, DiMarzio HSH pickups, a Gotoh locking trem, abalone inlays and a reversed headstock. Just as I’d hoped, it played and sounded fantastic.

I was so ready to buy it, but one of the few drawbacks of Fender Flagship Tokyo is that they don’t offer international shipping. That means if you want to treat yourself to something special, you’ll need to figure out a way to get it home. The store can arrange to ship purchases securely to your hotel, but after that, you’re pretty much on your own.

3rd floor: Fender Custom Shop (AKA guitar heaven)

With that stunning Strat still at the front of my mind, and me already trying to figure out how I’d get it back to the UK in one piece, we headed up to the third floor. Seeing dozens of lavish Fender Custom Shop guitars certainly wasn’t the distraction I needed — I knew it would only make me want a new guitar even more (like I could afford any of ’em anyway).

It’s very apt for Fender to use the store’s top floor for its top-shelf guitars. And the slightly intimidating security guard standing at the entrance to the showroom quickly made me realise the level of luxury I was about to witness.

I don’t know exactly how many Masterbuilt models there were, but as soon as you walked in, you were practically surrounded by them. According to Fender’s website, the Tokyo store stocks more than 90 Custom Shop models — yeah, that felt about right. And the whole space was decked out with fancy furniture, mirrors and spotlights that made every instrument stand out and look its best.

It would’ve been awesome to try something out on this floor too, but I didn’t quite have the nerve to ask. Plus, the store was closing in about 20 minutes. So, I quickly ducked into a small side room showcasing a handful of Custom Shop signature models, including a John 5 Tele and Stevie Ray Vaughan Strat, took a few snaps, and then headed all the way back down to the ground floor.

Maybe in a few years’ time or after I’ve won the lottery, I’ll go back and book an appointment in the ‘Dream Factory Room’. This is where you can bring your ultimate Fender Custom Shop guitar to life with a specialist who’ll guide you through a wide variety of necks, pickups and hardware options for a truly bespoke instrument. One day… one day.

Basement floor: Fender acoustics, guitar parts & café

With just a few minutes left before kicking-out time, we checked out the basement floor. I personally think Fender missed a trick by not putting their basses down there and calling it ‘The Bassment’, but seeing all their acoustic guitars in one place was still pretty neat. The floor was surprisingly busy too, despite closing time rapidly approaching.

It was mostly filled with California Series strummers and a few Acoustasonic guitars. This included a limited-edition Tele in a beautiful Burgundy Burst finish that’s far more flattering than some of the other Acoustasonic colours I’ve seen over the years (sorry Fender). It’s a shame it’s a Japan-exclusive model, but you never know — some might eventually find their way over to Europe.

The basement was also where you could find various guitar accessories, as well as Fender guitar parts like necks, pickguards and electronics for the modders out there. Sadly, it was too late to enjoy a brew at the café with my wife, which had already closed by the time we got downstairs. But I’ve heard it’s very good, so do yourself a favour and get to the store earlier than we did if you want the full Fender Flagship Tokyo experience.

Is it worth visiting Fender flagship Tokyo?

If you love Fender guitars, especially offbeat made-in-Japan (MIJ) models, it’s definitely worth making the pilgrimage. But if you’re not a big Fender fan, I’d probably skip it and take a train to Ochanomizu instead. It’s essentially the Denmark Street of Tokyo, where you’ll find all kinds of sick second-hand guitars alongside high-end Japanese-crafted instruments from the likes of ESP and Ibanez. I visited this part of the city on my trip last year and it’s well worth seeing — and way better than Denmark Street too!

Fender nuts could easily spend a good couple of hours in the Tokyo store, as there’s plenty to see across its four floors. That said, part of me feels they could squeeze in a few more guitars given the amount of space available. But then again, it’s more of an arty showroom experience, so cramming in extra gear could spoil the vibe.

Tokyo tone machines

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The post Inside Fender Flagship Tokyo: a must-visit for guitar players? appeared first on Andertons Blog.

There are dozens upon dozens of brilliant delay pedals out there. But the Strymon TimeLine has remained one of the category’s benchmark models ever since it debuted at the 2011 NAMM Show. And 15 years later, the highly anticipated sequel is finally here — the Strymon TimeLine MX. Better late than never!

This release comes more than two years after Strymon unveiled its upgraded flagship reverb stompbox (the BigSky MX). So, we’ve been eagerly waiting for their trailblazing, top-of-the-range delay to get the same treatment.

But how do you make one of the best delay pedals ever even better? Well, you’re about to find out. We’ve put the new Strymon TimeLine MX up against the original TimeLine to help you decide whether it’s worth upgrading — or if you’re simply looking for an incredibly powerful echo workstation for your pedalboard.

Strymon TimeLine MX vs. TimeLine: comparison table

Before we take a closer look at the TimeLine MX’s mighty specs and features, here’s a quick overview of how it stacks up against the standard TimeLine pedal:

Price and availability

The Strymon TimeLine delay pedal was released back in January 2011, if you can believe it (time flies, eh?). And despite being 15 years old, it’s still one of the most popular high-end delay pedals on the market. At the time of writing, you can pick one up for around £429. The Strymon TimeLine MX landed on 7 July 2026, bringing a host of new sounds and features. Those upgrades come at a premium though, with the MX priced at £699.

Design and size

At first glance, you’d struggle to tell the two apart. Both the Strymon TimeLine and TimeLine MX have the same cool gunmetal-grey finish and are almost identical in size, with the MX measuring just a few millimetres wider. That means if you do decide to upgrade, you’ll have no trouble swapping ‘em out on your board. The footswitch layout is unchanged too, so you won’t be making any missteps when changing presets or controlling the onboard looper (more on that later).

Look a little closer though, and you’ll see what Strymon has done to make things a tad more intuitive on the MX. Most obvious is the larger OLED display, which has been moved to the middle of the front panel. Not only is it brighter and easier to read under harsh stage lights, but with a little extra real estate, you can see more info on your patch’s parameters, audio routing and the looper functions.

The controls have also had a bit of a shift around. The delay Type selector remains on the left-hand side but now sits where the display used to be, while the Value dial has moved all the way to the right to keep it close to the screen. All the other controls are now neatly laid out in a single row beneath them. So, if you’re replacing your TimeLine, you might spend the first few minutes reaching for the wrong knob — but everything should still feel familiar enough.

Sounds

Now we’re onto the part you’re probably most curious about: the sounds. We’ll kick off with a quick summary of the original TimeLine’s delay algos, then dive into the new additions that make the TimeLine MX such an exciting upgrade.

TimeLine

The Strymon TimeLine is loaded with 12 studio-quality delay engines, covering everything from pristine digital repeats and vintage, vibey echoes to huge cinematic soundscapes:

• Digital: A crystal-clear digital delay with extensive tweakability.
• Dual: Two independent delay lines that can be configured in series or parallel for complex rhythmic textures.
• Pattern: A selection of multi-tap delay patterns ranging from rhythmic and percussive to spacious and ambient.
• Reverse: Play forwards and hear your repeats played back in reverse.
• Ice: Chops up your signal and replays it with selectable pitch-shifted intervals for shimmering, otherworldly effects.
• Duck: A dynamic ducking delay with adjustable sensitivity and release controls.
• Swell: Creates automatic volume swells that are perfect for ethereal ambient sounds.
• Trem: Combines delay and tremolo effects, with a choice of triangle, square, sine, ramp and saw waveforms to vary the delay amplitude.
• Filter: Adds a synchronised filter that can be positioned before or after the delay line.
• Lo-Fi: Delivers gritty, bit-crushed repeats inspired by old radios, telephones and other low-fidelity devices.
• dTape: Strymon’s detailed recreation of classic sliding-head tape echo machines.
• dBucket: A rich and nuanced take on vintage analogue delay pedals with bucket-brigade (BBD) circuitry.

TimeLine MX

Alongside enhanced versions of Strymon’s classic TimeLine algorithms, the MX introduces four all-new delay machines and even a dedicated reverb engine:

• Spectral: Strymon’s take on granular delay. Slice your signal into fragments and manipulate them with pitch-shifting, reverse playback, time-stretching and filtering to create a montage of glitchy patterns or cool panoramas.
• MultiTap: Ideal for building complex rhythmic delays, with per-tap control over panning, level, filtering and more. You can stick with the built-in patterns or make your own from scratch.
• Oil Can: A recreation of vintage oil-can echo circuits, serving up dark, murky repeats with syrupy modulation and constantly evolving textures.
• Drum: Inspired by classic drum echo units, complete with organic warble and soft-clipped repeats. Adjust the play head spacing, level, feedback and panning to create intricate patterns.
• Reverb: Covers everything from small room sounds to vast washes with long, atmospheric decays. Combined with the delay engines, it makes the TimeLine MX a complete ambience solution in a single pedal.

Wondering where some of the old delay machines around the TimeLine MX’s Type selector have disappeared to? Don’t worry — they’re still knocking about, just organised differently. Trem now lives within the Filter engine, while Duck and Swell have been reworked into global parameters that can be used in conjunction with all delay types.

Processing power

Strymon are the Ferrari of digital guitar pedals, so it’d have been strange if they hadn’t equipped their latest flagship delay with some serious horsepower. Thankfully, they’ve done exactly that by supercharging the TimeLine MX with a tri-core 800MHz ARM processor. That’s a hefty improvement over the original TimeLine’s single 266MHz SHARC DSP.

All that extra processing power has given Strymon’s engineers far more headroom to model the nuances of vintage delays and reverbs in even greater detail. From the subtle inconsistencies of electro-mechanical units to the quirks of classic analogue and early digital designs, the TimeLine MX captures every last detail.

But perhaps the biggest advantage is what that extra grunt lets you do. Unlike the OG TimeLine, the MX can run two effects engines simultaneously. This therefore opens the door to more ambitious sound design, intricate rhythmic textures and combined delay-and-reverb presets.

You can switch between delay machines with a single button press while editing, and the bigger screen makes it easy to see whether your engines are running in Series, Parallel or Split mode. You can even pan the output of each one if you wanna get super creative with your delayed signals across the stereo field.

Built-in loopers

The 30-second stereo looper in the original Strymon TimeLine is fun and useful, but by modern standards it’s fairly limited compared to dedicated looper pedals. Strymon clearly thought the same, because the TimeLine MX boosts the looping time up to a whopping five minutes, complete with reverse and half-speed playback options.

The MX also adds selectable Multi and one-button Quick Looper modes. The latter is especially handy for fast layering and spontaneous improv, as you can access it instantly via the Tap footswitch without having to switch into the dedicated Looper mode. Or hook up a Strymon MiniSwitch and you’ll have an always-on one-button looper at your feet.

What’s more, the looper can be placed either before or after the delay effects, so you can get really experimental. Combined with the expanded routing options and clear on-screen visual feedback in the full-fat looping mode, the TimeLine MX’s looper feels like much more than just a cool bonus feature.

Strymon TimeLine MX: extra features

As if the new delay engines and upgraded looper weren’t enough, the Strymon TimeLine MX also has a few other tricks up its sleeve:

• External hardware effects loop: Like the original TimeLine, the MX features an internal FX loop for integrating external mono or stereo pedals. However, the newer model offers more routing and placement options, making it easier to build elaborate signal chains.
• USB-C connectivity: This is a welcome addition to the MX, with the USB-C port handling firmware updates, MIDI communication and connection to Strymon’s Nixie 2 editor software for deeper patch editing.
• Expanded MIDI control: In addition to traditional 5-pin DIN MIDI, the MX also supports MIDI over USB-C and TRS, giving you more ways to integrate it into modern pedalboard and studio setups.
• Discrete Class A JFET preamps: High-quality analogue input stages help preserve the dynamics, responsiveness and feel of your playing.

Is the Strymon TimeLine MX better than the TimeLine?

In terms of features and flexibility, yes — the Strymon TimeLine MX is a big step forward from the original pedal. With a more powerful processor that lets you use two effects engines at once, the MX also introduces a bigger and brighter screen, refined routing options and four brand-new delay machines on top of enhanced versions of Strymon’s classic TimeLine algorithms.

While the standard TimeLine has a useful 30-second looper alongside its huge library of delay sounds, the new TimeLine MX takes thing further by adding a versatile reverb engine and an expanded 5-minute looper with loads more control. So, it’s essentially three pedals in one!

But that’s not to say that the old TimeLine is history. It’s still an incredible bit of kit, and there’s a reason it’s been a fixture on professional pedalboards for the best part of 15 years. If you don’t fancy dual-engine processing, onboard reverb or long looping times, the standard TimeLine remains a great option. And with the arrival of the Strymon TimeLine 2, you’ll probably start seeing prices fall (especially on the second-hand market). This makes it a perfect time to bag yourself a killer delay workstation for less.

Will the Strymon TimeLine MX catch on as quickly as its predecessor? At £699, it might be more of a slow burner. But given Strymon’s track record and everything the MX brings to the table, we’d be surprised if it doesn’t become a future pedalboard fave. Only time will tell…

Strymon TimeLine MX on Andertons TV

Watch Lee and Pete take a trip through the new Strymon TimeLine MX (fortunately, no flux capacitor required):

Time to upgrade your delay?

Shop all Strymon pedals

Fancy learning more, more, more?

Our delay pedals guide is a great place to start if you’d like to go further down the delay rabbit hole. Or head over to our learn section for more in-depth gear guides, expert advice and helpful how-to articles.

The post Strymon TimeLine MX vs. TimeLine: what’s the difference? appeared first on Andertons Blog.

Tuning machines might not be the most exciting part of your guitar, but they play a crucial role in how it performs. Locking guitar tuners have become a popular upgrade among players of all levels, offering more solid tuning stability with minimal fuss. But what exactly are locking tuners, how do they work and what are their benefits?

What are locking guitar tuners and how do they work?

Locking tuners work in a similar way to regular machine heads, but they’re designed to improve tuning stability and make restringing much quicker. They typically feature a pin or clamping mechanism to securely lock the string, preventing it from slipping when you’re playing.

Because the guitar strings are held firmly in place, locking tuners remove the need to wrap the them around the tuning posts. This not only helps reduce string slippage but also makes string changes faster and more straightforward — especially handy if you need to swap out a broken string at a gig!

Which guitars benefit most from locking tuners?

The benefits of locking tuners are often most noticeable on guitars fitted with tremolo systems, such as a Fender Stratocaster or PRS Custom 24. When you use a tremolo arm, the tension of the strings is constantly changing, which can cause the winds around the tuner posts to loosen and shift slightly. The same thing can happen when you’re bending strings.

In an ideal world, everything would return perfectly to pitch once the tension settles back to normal (the “zero” position of the strings). But in reality, those tiny shifts in the string windings can leave your guitar slightly out of tune.

Because locking tuners clamp the string in place, they eliminate the need for multiple wraps around the post. This reduces movement at the tuner itself, resulting in more consistent tuning stability.

The pros of locking guitar tuners

We’ve touched on a few of these already, but here’s a quick roundup of the key benefits of locking tuners. Plus, a couple more reasons why they’re such a popular upgrade:

• Superior tuning stability: Your guitar is more likely to stay in tune, especially when using a tremolo system or performing big string bends.
• Faster string changes: With no need for multiple wraps around the posts, restringing is quicker and much less hassle.
• Affordable upgrade: Locking tuners offer a noticeable performance boost without breaking the bank, with good-quality sets starting from around £70.
• Minimal modification required: In most cases, locking tuners will slot seamlessly into the existing holes on your guitar’s headstock. So, you won’t have to get the drill out!

The cons of locking tuners

Are there any downsides to locking tuners? Not many, but there are a few things worth bearing in mind before making the switch:

• Not a complete fix: While locking tuners can improve tuning stability, they’re not a cure-all. Factors like nut friction and setup still play a big part.
• Added weight: Some locking tuners are slightly heavier than standard ones, which can add a bit of weight to the headstock and possibly lead to neck dive.
• Not always needed: Some players and techs will argue that with proper stringing technique, normal guitar tuners can be just as stable. It’s ultimately down to personal preference and how you play.
• Change your guitar’s look: Swapping out tuners will alter your guitar’s appearance. For most players, the benefits of locking tuners outweigh this, but it’s something to consider if you like to keep things original.

Who makes locking machine heads?

These days, there are plenty of companies producing locking tuners. But it’s always a good idea to stick with reputable brands for the best results. You can’t go far wrong with names like Fender, PRS, Grover, Gotoh or Schaller, with all of these guitar parts manufacturers having long-standing reputations for quality and reliability.

In most cases, these brands offer a range of styles and finishes. So, you should be able to find a set that closely matches your existing tuners for a simple, like-for-like upgrade.

Are locking tuners worth it?

For some guitarists, locking tuners are a must-have upgrade — once they’ve tried them, there’s no going back. For others, they’re less of a priority (and that’s totally fine). Like most things in the guitar world, it ultimately comes down to personal preference and a bit of experimentation.

There’s no right or wrong approach, but if you’re struggling with tuning issues on your guitar, a decent set of locking tuners just might be the solution!

FAQs

Do locking tuners stay in tune?

Locking tuners can improve tuning stability, but they don’t guarantee perfect tuning. By clamping the string in place, they reduce slippage at the tuner, which helps your guitar stay in tune more consistently. But factors like the nut, bridge and overall setup still play a big role.

Do locking tuners break strings?

No, locking tuners don’t typically cause strings to snap. In fact, because they reduce the need for multiple wraps, they can help minimise stress points that sometimes lead to breakages. Most string breaks are caused by sharp edges at the nut or bridge, rather than the tuners themselves.

Is it hard to retune with locking tuners?

Not at all. Retuning with locking tuners is just as easy as with standard tuners. Once the string is locked in place, you simply tune up or down as normal. In many cases, tuning can even feel more stable and predictable.

Do I need to wrap my guitar strings if I have locking tuners?

No, one of the main benefits of locking tuners is that you don’t need to wrap the strings around the posts. The locking mechanism holds the string securely, so you only need a small amount of slack before tightening and tuning up.

Are locking guitar tuners good for beginners?

Yes, locking tuners can be a great choice for beginners. They make restringing quicker and easier, plus they help reduce common tuning issues caused by incorrect string winding.

Lock in!

Whether you’re gigging for the first time or you’re a seasoned player getting back in the game, we’ve whittled things down to the 15 must-haves every electric guitarist should bring to their next show. From key guitar accessories like spare strings and cables to clever bits of gear that’ll keep your setup slick (and save you from a bit of onstage tap-dancing), we’ve covered everything — from the obvious to the often overlooked.

Before we dive into our stage survival guide, we’re going to assume you’ve already got the basics sorted:

• Your main guitar
• A guitar amp (or amp pedal)
• A pedalboard
• Cables to connect it all together

Got those? Sweet. Now let’s get into the nitty gritty!

1. Earplugs

Yup, they’re boring and not very rock ’n’ roll. But as someone already dealing with tinnitus in their thirties, I can safely say earplugs are one of the most important things you can bring to a gig. You’ll want them in from soundcheck right through to pack down.

Not only will they save your hearing, but if you’re pulling double duty on vocals, they can actually help you hear yourself more clearly if the foldbacks aren’t quite cutting it. The only real exception is if you’re running in-ear monitors, which both protect your ears and give you a personalised mix. They’re a brilliant option if you’re willing to spend the dosh.

Shop all hearing protection

2. Extension lead

You won’t be melting any faces in the front row without something to power your amplifier and pedalboard. And unfortunately, the standard power cables that come with most electric guitar amps and pedal power supplies aren’t exactly generous in length. In other words, reaching the nearest mains socket isn’t always guaranteed!

That’s where a trusty extension lead comes in. Bringing one (or two) with enough outlets for your rig is always a smart move. Just make sure you go for something a few metres long, so you’re not caught short on stage.

Pro tip: Multi-sockets with individual on/off switches for can be really handy and a little safer when plugging gear in and out.

3. Pen and paper

You might’ve printed out lovely, easy-to-read setlists in bold, all-caps for everyone in the band — but if your singer suddenly doesn’t feel like belting out “Sweet Child O’ Mine” or your drummer chickens out of “Tom Sawyer” for the umpteenth time, you’ll need to make a few quick tweaks.

That’s why a pen and a few sheets of paper are a bit of a no-brainer. Even if you’re not swapping songs last minute, they’re useful for jotting down things like “Drop D tuning” reminders next to those grungier songs in your set, or the patch number on your fancy digital delay pedal.

It’s also not a bad shout to scribble down a few ideas for what to say between songs. And if you’re at a jam sesh using charts, you’ll almost certainly end up making notes as you go.

4. Backup amp

Whether you’re playing a 30-minute support slot at your local venue or a two-hour function gig, it’s always worth bringing a backup amp. With valve amps, you never really know when a tube might go kaput. And when it does, it can be a proper show-wrecker (it happened to me a few years ago at a very big gig, and I still get PTSD).

Even if you’re not using valves, solid-state and digital amps aren’t totally immune to the odd issue — just like any bit of electronics. So, if your main tone machine suddenly conks out, always have a spare on standby to save the day.

It doesn’t have to be a like-for-like replacement either. Compact preamp pedals or pedalboard amps are perfect for this sort of thing, especially as most can be plugged straight into front of house.

Shop all pedalboard amps

5. Spare guitar

Don’t forget a backup guitar too. Just like your amp, your axe could suffer from the occasional technical gremlin. But the main reason why you’ll want a spare is if you break a string. When that happens, then you can just quickly unplug, grab your backup, plug in again and carry on without missing a beat.

If you don’t already have a stage-ready spare, there are plenty of great options out there that won’t break the bank. Brands like Sire are a solid shout, offering pro-grade, budget-friendly instruments suitable for a range of styles.

Pro tip: Before heading on stage, make sure both your main and backup guitars are tuned and ready to go. That way, if you do need to switch, you’re not left tuning up while the rest of the band fills the silence. There’s nothing worse than an unexpected jazz fusion jam to kill the vibe!

Shop all electric guitars

6. Extra guitar strings

On the subject of snapped guitar strings, make sure you’ve got a couple of spare packs tucked away in your case or gig bag. If one goes during soundcheck, you’ll have plenty of time to swap it out before your performance. And if disaster strikes mid-set, you might even have enough time to get your number one restrung and back in action.

Pro tip: Restring your guitar at least a day before the show. Fresh strings are less likely to break, sound brighter (helping you cut through the mix) and feel nicer to play. Just avoid doing it on the day — you’ll want to give them time to stretch in properly, otherwise you could find yourself battling tuning issues all night.

Shop all electric guitar strings

7. Additional guitar cable (or two… or three)

Now, your guitar cable won’t snap like a string (unless a heavy-footed sound guy parks their size 14 on it). But it’s not going to last forever, especially if you’re out gigging on the reg. Clumsy bandmates have stepped all over my guitar cables, and I know it’s only a matter of time before my trusty D’Addario lead of a few years gives up the ghost.

So, make sure you pack at least one spare cable — or even two, in case you need to bail out your bassist who’s forgotten theirs. Running a wireless system? It’s still worth having a lead handy in case your batteries die or you run into signal issues.

Pro tip: If you’re also doing vocals, chuck a couple of XLR cables in your bag. And stuff a few patch cables in there too, just in case one starts playing up on your pedalboard.

Shop all guitar cables

8. Guitar stand

Leaning your pride and joy against your amp is an absolute no-no. It’s a bad habit at home — but on stage, it’s basically asking for trouble. One knock and you could be dealing with a nasty accident, so definitely invest in a proper guitar stand to keep your instrument safe and secure.

I personally use a Hercules GS402B Mini Guitar Stand as it’s sturdy, compact and folds down small enough to put in my rucksack. But to be honest, even budget guitar stands are miles better than balancing your guitar precariously against anything.

The new Fender Fusion Series takes some of the most iconic guitar shapes of all time and “strips away everything that doesn’t serve the riff” — in Fender’s own words. These are trimmed-out, hot-rodded machines loaded with high-output pickups, shredder-thin necks and modern hardware built for full-throttle playing. There’s even a beastly baritone Jaguar in the lineup!

Put simply, the Fusion Series is Fender for players who like it loud and aren’t afraid to push boundaries. It’s the boldest bunch of guitars we’ve seen come out of the brand’s Ensenada factory in quite some time, and we’re gonna break down each model in detail — from the Floyd Rose-equipped Telecaster to the mighty dual-humbucker Precision Bass.

Fender Fusion Series: key features

Before we take a closer look at each guitar, here are the core specs that run across the whole Fender Fusion range:

• Slim Alder bodies: These provide the same balanced, resonant tone in a sleeker, lighter and comfier profile.
• Sculpted neck heels: High fret access is a breeze thanks to asymmetrical neck plates that give you a little extra room where it counts.
• Thin “C” Maple necks: Fast and finished in satin — perfect for ripping through technical riffs and leads without feeling held back.
• 12” radius Ebony fingerboards: Smooth, snappy and flatter than the traditional Fender ‘board radius with a cool, luxurious look.
• Jumbo frets: Help you go big with bends and a wide vibrato, great if you like to play with plenty of feel and precision.
• High-output humbuckers: Fender’s Player II Modified ‘buckers power the Strat, Tele and baritone Jag, while the P-Bass packs a pair of Fireball pickups that can cut through the densest wall of guitars.
• Deluxe gig bags included: Every Fender Fusion Series model comes with a gig bag, so you’re ready to hit the stage straight out of the box.

Player Fusion Stratocaster HSS

If a souped-up Strat is your cup ‘o tea, you’ll love this. The Fender Player Fusion HSS Stratocaster is designed for high-octane performance, with a versatile pickup configuration that gives you all the aggression you need for 21st century rock while keeping those classic Stratty tones on tap. Better yet, the single-coils are Noiseless models, so you can pile on the gain without the usual hum getting in the way.

There’s plenty of clever extras here too. A push/pull tone control lets you split the Player II Modified humbucker for spanky bridge tones, while the lone volume knob keeps the control layout uncluttered and easy to manage. Add in a 2-point synchronised tremolo and short-post locking tuners, and you can rock out on the whammy bar without worrying about tuning slips.

This guitar also looks the biz, with a white pearloid pickguard, all-black hardware and a painted headstock giving it loads of contemporary flair. Whether you go for the timeless Black finish or the fancier Olympic Pearl, you’re guaranteed to make a statement on stage wielding one of these.

Shop the Fender Fusion Strat HSS

Fusion Telecaster HH Floyd Rose

The Fender Player Fusion Telecaster HH Floyd Rose is nothing like your typical Tele. This legendary model is famous for its twang, but the Fusion heads in the opposite direction entirely, with a pair of high-output humbuckers primed to handle copious amounts of gain and roar through your rig.

A Floyd on a Telecaster might also seem like sacrilege to some, but this Fender Fusion Series model happily flips the bird to tradition when it comes to hardware. The recessed system gives you the freedom to dive-bomb, squeal and flutter to your heart’s content — all while staying in tune.

Like the Strat, this Tele has a bit of bling with a pearloid pickguard, while the black hardware and pickup rings give it a clean, cohesive look. The inlay-free fingerboard is seriously cool too, as well as that vibrant Aura Metallic finish. We reckon Danish Pete’s got one on order already…

Shop the Fender Fusion Tele HH Floyd Rose

Fender Fusion Jaguar Baritone

The Jaguar is famously known as Fender’s short-scale model, but this one couldn’t be further from it. Stretching that typically slinky 24″ scale all the way up to 27″, it’s made to handle a thunderous B-to-B tuning with ease. And with two high-output humbuckers at its core, the Fusion Jaguar Baritone delivers the kind of tonal assault that sits in a dense, down-tuned mix without disappearing.

The classic Jaguar rhythm circuit gets a clever upgrade too, now featuring “Spin-a-Split” wiring via Fender’s roller pots. This lets you gradually dial the humbuckers back into single-coil territory for a tighter, more cutting sound. Plus, there’s a TBX tone control onboard, allowing you to cut or boost frequencies for extra bite or warmth.

While this Jag has been beefed up in just about every way, the neck is still slim and built with riff-lords in mind. And with a fixed Adjusto-Matic bridge and locking machine heads, tuning stays solid even when you’re digging in with heavy palm-muted chugs. Doomers, how about that Silverburst finish, eh?

Shop the Fender Fusion Jaguar Baritone

Fusion Precision Bass HH

Fender hasn’t forgotten about bassists either. The new Player Fusion Precision Bass HH is a modded masterpiece that provides the kind of slick playability modern metal players and hard rockers demand.

You’ll still get a hint of that classic P-Bass thump, but this Fender Fusion Series model takes things to another level with twin Fireball humbuckers. They sound huge, and with a handy blend control, you can dial in everything from deep, rumbling lows to a tight, punchy midrange attack. There’s a master tone knob on hand too, letting you roll off the top-end for those moodier, mellower moments.

Another wicked feature is the HiMass bridge, which boosts sustain and gives every note a solid, planted feel. We’re also big fans of that classy Halo Metallic finish option up above!

Shop the Fender Fusion P-Bass HH

Fender Player Fusion guitars: specs compared

We’ve already gone to town on the standout features of each Fender Fusion Series guitar. But if you’re after a quick side-by-side overview, here’s a handy summary of what sets them apart:

Fender Fusion Series guitars on Andertons TV

Watch Lee and Pete test drive the new Fender Fusion guitars in our video:

Fancy a Fender Fusion?

Shop all Fender Fusion guitars

After more gear gossip?

If you love keeping up with the latest product launches, our gear news hub is the perfect place for all things fresh. Our new in page is well worth a look too, especially if you want to check out other amazing guitars Fender’s just dropped — including more 75th Anniversary models and a quirky new range of Squier Paranormal guitars.

The post New Fender Fusion Series guitars: iconic shapes, metal makeover! appeared first on Andertons Blog.

Ed Sheeran is no stranger to a collab. And no, we’re not talking about Taylor Swift or Justin Bieber. Back in 2019, he joined forces with Lowden to launch a lineup of co-designed acoustic guitars. In 2024, he set up Sheeran Loopers with HeadRush. And earlier this year, he partnered with PRS Guitars on a rather sick semi-hollow baritone (with three more finishes added to the range recently). That’s quite the A-team of brands to work with…

Now, the multi‑Grammy winner has linked up with the mighty Orange Amps to unveil not one, not two, but three signature acoustic guitar amps. Steady on, Ed! Dubbed the Outlowd ES Series, the lineup starts with a portable Bluetooth-enabled practice amp and tops out with a big, stage-ready 100W option — with a versatile, battery-powered all-rounder sitting right in the middle.

Sound pretty sweet, eh? And if you’re on the hunt for a new acoustic amp, we’re gonna dive into their key features and differences below to help you pick the right one. But first, here’s Ed explaining the Orange Outlowd range in a nutshell:

ES3 Outlowd: a go-anywhere acoustic amp & Bluetooth speaker

The ES3 is the baby of the Orange Outlowd ES Series. It’s a compact 3W practice amp that’s great for home use, adding a touch of ambience and a subtle lift to your unplugged sound.

Its built-in reverb gives your acoustic more space and character, while the simple control layout keeps things nice and straightforward. You’ve also got Bluetooth audio playback onboard, so it doubles as a nifty little speaker for jamming with backing tracks or just kicking back to your favourite tunes.

With USB-C charging, an internal Li-ion battery (which lasts up to 12 hours) and a convenient carry strap, it’s easy to grab and go — ideal for bedrooms, desks or wherever inspiration strikes.

Buy the Orange Outlowd ES3

ES60 Outlowd: the perfect busking companion

The ES60 sits right in the sweet spot of the Orange Ed Sheeran lineup, built for budding singer-songwriters and seasoned performers alike. With 60 watts of power on tap, it holds its own when the volume goes up, making it more than capable for busking and small gigs. All while staying compact and manageable for rehearsals or home use.

Thanks to its built-in rechargeable Li-ion battery and mains operation, you can pretty much play with it anywhere. And you’ve got two channels for guitar and vocals, both with carefully voiced EQ and reverb to keep everything sounding clean and natural. The mic channel features a combi input, +48V phantom power and vocal-friendly processing options too.

Throw in Bluetooth for backing tracks, an effects loop for your fave guitar pedals, plus a balanced line out for recording or hooking up to a PA, and you’ve got a superb all-rounder ready to hit the stage or the street. It even includes a carry case, so it’s good to go straight out of the box.

Buy the Orange Outlowd ES60

ES100 Outlowd: big power for big stages

The ES100 is the flagship 100W acoustic amp made for proper gigging musicians and larger stages, delivering huge clean headroom and rich, natural warmth. In short, it keeps your guitar and vocals sounding crystal-clear and articulate even with the volume cranked. No squashing here!

The guitar channel offers precise, studio-style EQ control with sweepable mids and onboard feedback management. Then there’s the mic channel, featuring a combi input, +48V phantom power and a handy high-pass filter. Add in an effects loop and balanced line-out, and you’ve got an amp that integrates cleanly with pedalboards, PA systems and audio interfaces.

Driving the ES100 is a premium Celestion neodymium speaker pairing — a 12” driver combined with a 1” high-frequency tweeter. The result is a full-range response with plenty of top-end detail and clarity. And while they handle a lot of the heavy lifting, the neodymium design keeps the amp’s overall weight down, making life a little easier if you’re gigging on the reg.

Buy the Orange Outlowd ES100

Orange Ed Sheeran signature acoustic amps: specs compared

We’ve already covered the standout features of each Orange Ed Sheeran amp. But if you’re after a quick side-by-side overview, here’s a neat summary of their key differences:

Orange Outlowd ES Series amps on Andertons TV

Join Danish Pete and Ben as they put the Orange Outlowd Ed Sheeran amps through their paces:

Play lowd!

Shop all Orange acoustic amps

Want to learn more?

If you’re after more juicy product gossip, our gear news page is well worth a look. Or for proper nerdy deep dives and how‑to guides, head over to our learn section.

The post Ed Sheeran and Orange launch new Outlowd acoustic amps appeared first on Andertons Blog.