Boss Nextone vs. Boss Katana vs. Roland Blues Cube

Boss Katana Amps

The Boss Katana range is quite vast and goes from their Katana Air mini practice amp up to Katana Artist which is a fully-fledged Solid State amp with a powerful suite of effects and everything you’d need to get gigging. The Katana range also features a single Class A/B power amp we incredible, dynamic response and feel.

The Katana 50 and Katana 100 have also sold brilliantly as they are affordable solid state amps with digital effects on-board. There are up to 55 customisable effects based on Boss pedals and you can store multiple presets with 3 effects on at the same time if necessary.

I own a Katana 50 myself and it’s a brilliant way to get great tones at home for practising but at 50w is also loud enough to rehearse with and the recording function is nifty too.

The Katana amps great for when you want loads of effects and sounds in a single unit and aren’t too worried about using pedals for effects or too worried about honing or crafting your sound. They make it easy to just get great sounds and there’s a good reason for these amps dominating the amp scene of late.

Key Features:

• Solid State with loads of digital effects based on Boss pedals
• Four unique amp characters: Clean, Crunch, Lead, Brown (derived from the Waza amp), and a dedicated Acoustic pre-amp
• Four or eight memories (depending on the 50 or 100 wat version) for storing and recalling all amp and effect settings
• Power Control for achieving cranked-amp tone and dynamic response at low volumes
• Katana Artist features Tube Logic design approach found on Boss Nextone and Roland Blues Cube and all Katana’s (except Mini and Air) feature a Class AB power amp.

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Roland Blues Cube Amps

The Roland Blues Cube sings with some of the best blues combos out there! It’s a Solid State design and when it first came out was compared to another famous Roland Solid State amp, the Jazz Chorus. They’re quite different amps however as the Blues Cube was the first to introduce Tube Logic which allowed it to emulate the sound and feel of different valves.

The Blues Cube has also got nifty ‘Tone Capsules’ which can be attached to the amp to completely transform and overhaul the sound. Players like Eric Johnson have even had their own signature Tone Capsule and used the Blues Cube. You know it’s a good amp when players with such impeccable and specific taste like EJ use it.

The Blues Cube aimed to replace valves with a solid state circuit instead and it worked perfectly. These amps are also attenuable meaning you can cut the power down for use at lower volumes. You get 2 channels (clean and crunch) with a powerful 3 band EQ, Presence, Boost, Tone and Master Volume. Combine that high-quality reverb and tremolo, extensive power output options and lots of control from an optional extra footswitch and you get the picture!

The Blues Cube is great for traditional players who want a lightweight alternative to their favourite tube combo. Perfect with pedals and offers open, warm tones. Great with both single coils and humbuckers.

Key features:

• Highly musical response at multiple volumes with attenuation
• Great blues tone that emulates valve amps of old – Originally based on Classic Tweed combos
• Responsive and dynamic with independent clean and crunch channels with a dual tone mode for blending channels.
• Efficient and lightweight design meaning you don’t have to break your back carrying a heavy valve combo anymore!

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In Conclusion

All 3 amp ranges are aimed at quite different players but would actually suit most players in some way, shape or form. It all depends on what you want to get out of the amp. At their price point, they’re very competitive and you get amps that are chock-full of features. All of them are capable of recording via USB too which means you have no excuse to not get those brilliant licks and ideas down!

Well, what are you waiting for? Go and grab a Boss Nextone. Or Boss Katana. Or Roland Blues Cube. Now.