Browse Gibson Les Paul Standard ’50s Guitars
Epiphone Les Paul Standard ’50s Key Features
- Maple cap
- ProBucker humbucker pickups
- Epiphone Vintage Deluxe tuners
- ’59 Rounded Medium C neck profile
- 2 Tone CTS Electronics ’50s-Style Wiring
The early-era Gibson Les Paul guitars are simply synonymous with all things rock and blues. The list of legendary guitarists who have championed the LP is a veritable who’s who of rock royalty: Jimmy Page, Slash, Ace Frehley, Gary Moore and Peter Green, just to name a few. But the thread that ties each of these players is that their favourite Les Pauls were all made in the 1950s and 1960s. Some opted for the classy style and smooth tones of the tried-and-true ’50s models, while others preferred the streamlined, more aggressive sound and feel of the then-cutting-edge ’60s LP.
But what exactly is it that made Les Paul guitars from these periods so special? How do they differ? And which guitar is best suited to your specific needs? Let’s take a closer look!
For us to understand the differences between the ’50s and ’60s Les Pauls, it’s worth taking a quick look back at where the story began.
When Gibson first introduced the Les Paul in the early 1950s, it was an attempt to break into the burgeoning electric guitar market that Fender had already begun to dominate. Working alongside the man himself, guitarist and innovator Les Paul, Gibson created a solid-body electric guitar that effortlessly combined stylish looks with rich, resonant tone and sustain. Over the following decade, the Les Paul would evolve significantly in response to changing musical styles and the ever-growing demands of pro players.
The ‘50s Les Paul was nothing short of a revelation. It standardised several key features that still influence a vast number of guitars to this day, including things like humbucker pickups, a 24.75-inch scale length, a three-by-three headstock, mahogany wood bodies and necks, rosewood fingerboards, and fixed bridges.
These guitars were originally designed to bring a touch of elegance and versatility to the blossoming electric guitar market. The earliest models featured P-90 pickups, a type of single coil pickup that delivers a slightly fuller sound but with the characteristic bite of a single coil. However, by the end of the decade, these would be swapped out for the latest in pickup technology: the PAF humbuckers, which would revolutionise the sound of electric guitar forever.
Gold tops and sunburst finishes gave the ‘50s Les Paul a lavish look, and their thick neck profiles and weighty mahogany construction contributed to that famous warm, rounded tone that would soon become highly sought-after.
Perhaps most importantly, in no time at all, ’50s Les Pauls became absolute staples of blues and classic rock, and for very good reason. They respond magnificently to dynamics, offer singing sustain and genuine expression. From Joe Bonamassa’s gold top obsession to Peter Green’s haunting middle-position tones, these guitars continue to inspire new generations of players to this day.
Browse Gibson Les Paul Standard ’50s Guitars
Rock music came to the fore as a mainstream genre in the sixties. Gibson were the brand leading the charge alongside the likes of Marshall and Fender. Grittier, crunchy tones became commonplace and Gibson were focused on getting the most out of this new and exciting sound with a hum-cancelling humbucker design. They also improved the ease of which players could manoeuvre round the fretboard. Guitar playing itself became more technical in the form of quick legato and arpeggio, and Gibson were the ones making the changes to accommodate it.
That’s where the ’60s Standard came in. This fiery “new and improved” model had a much thinner neck, which would feel far more familiar to most modern guitarists even today. The other major change came in the form of alnico V magnet pickups, digging in with a sharper attack, punchier midrange and slightly more clarity. These changes are reflected in contemporary Les Paul Standards with a Slim Taper neck and Burstbucker 61 R and T humbuckers.
In the style department, the ’60s model added a fancy new flamed maple top. Although the previous ’50s guitars featured some slight maple figuration, the flame here is extra striking and what most players picture when imagining the definitive Les Paul. To match the hot-rod look, the production ’60s Standard comes equipped with silver Grover tuners and silver top control knobs.
Browse Gibson Les Paul Standard ’60s Guitars
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'; }); });Both the ‘50s and ‘60s Les Paul guitars share that quintessential Les Paul DNA. But take a look under the hood (or even at the hood itself!) and you’ll find a few telling differences that really set them apart.
In this section, we’ll take a closer look at the biggest differences between the two models, but if you’re looking for a quick summary of the key points, here’s what you need to know:
As we discussed earlier, there’s some pretty noticeable differences between the sound of the ‘50s and ‘60s LPs, and a big part of that is down to the choice of pickups. Early ’50s Les Pauls were outfitted with P-90 single-coils – gritty, raw, and harmonically rich. By the late ’50s, Gibson introduced the now legendary PAF humbuckers. They had a lower output, but they more than made up for that with tonnes of extra clarity and note separation.
In contrast, ’60s models came out swinging with hotter pickups, courtesy of the new Alnico V magnets. These offered more midrange bite, increased sustain, and sharper articulation, making them a superb choice for rock lead work, cutting through mixes with ease. In today’s ‘60s Standards, you’ll find Burstbucker 61R and 61T pickups, which are voiced for a blend of vintage heat and modern clarity.
Both Les Paul eras featured the same classic mahogany body and neck with a maple cap. But look a little closer and there are a few differences:
The ’50s LP screams understated class; gold tops, subtle bursts, and vintage details that harken back to a golden age of guitar craftsmanship. Hardware finishes like aged nickel and vintage-style Kluson tuners only add to the retro charm, rounding off an overall look that’s warm, classic, and drenched in heritage.
In almost stark contrast, the ’60s Les Pauls turned up the heat when it comes to visual flair. These guitars rocked an altogether bolder look, with finishes like vibrant cherry sunbursts and rich tobacco bursts paired with AA flame maple tops that really catch the eye under stage lights. Grover tuners and silver reflector knobs completed the ’60s LPs’ much more modern look, dragging the Les Paul kicking and screaming into the next decade.
Given what we’ve already discussed, it should come as no surprise that the biggest difference in playability comes down to neck shape. Essentially:
The rounded profiles of those ’50s necks are sometimes referred to as baseball bats – but for many a guitarist, that’s a good thing! They feel great if you’re a player who likes to dig in, their tactile, vintage feel enabling a strong vibrato and expressive bends.
Meanwhile, the slim taper necks on ’60s Les Pauls are much more accommodating for both smaller hands and high-speed lead runs. As such, they’re a better fit for players who ply their trade in modern play styles, whether that’s tapping, sweeping, or blazing up and down the neck.
Other factors, like weight relief and balance, can also have an impact on playability. With their thicker maple tops and chunkier necks, ’50s models are usually heavier, and some players believe this contributes to a more stable and resonant feel when playing standing up. But the zippier ’60s models, on the other hand, often feel a touch more agile and gig ready.
When we’re talking about two of the most innovative and cherished guitars in the history of the instrument, it’s probably not a shock to learn that there’s no clear-cut winner here! If you’re trying to decide between the two, think about things like the style of music you play, the size of your hands, and even what your preference is for how a guitar looks. It all depends on what you’re looking for out of your axe:
Want warmth, understated vintage looks, and a rock-solid neck? Go for the ’50s Les Paul.
Prefer a guitar that looks a little bolder, plays faster, and produces brighter tones? Think about picking up a ’60s Les Paul.
If you love either the ’50s or ’60s Les Paul style but need something. A bit more modern and perhaps a tad more affordable, there’s some cracking alternatives out there you might want to consider:
Generally speaking, yes. ’50s models don’t have weight relief and have a chunkier neck, so they tend to be noticeably heavier.
Tone is subjective! That said, ’50s LPs are typically warmer and more rounded, whereas ’60s LPs are brighter and more focused. If you gravitate towards one of those sounds, then that’s the Les Paul for you!
Many blues players prefer the ’50s models for their warmth, sustain, and classic looks.
The faster neck and hotter pickups of the ’60s Les Paul model make it a more popular choice for classic and hard rock.
In a word? Yes! The ’50s “baseball bat” neck is considerably chunkier than the slim taper neck that you’ll find on the ’60s Les Paul. If your hands are on the small side, you might find it a bit of a stretch at first, although it’s not insurmountable with practice!
Modern reproductions do a surprisingly good job of matching the OG models, especially in the USA Standard range and historic reissues from the Gibson Custom Shop.
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