- The power of a DAW-based workflow in a live setting:
Process each channel individually with production staples such as EQ, Compression, Saturation, Reverb, Chorus and more.
- Multi-Track Recording/Interface:
Many digital mixers double up as a high-quality audio interface, providing an instantaneous multitrack mix of the performance ready for post-production editing and uploading to social media.
- High Channel count in a compact form factor due to layered design:
This allows you to have a 32-channel desk in the form factor of This means you can save significant space, if space for a larger desk is a consideration.
Disadvantages of Digital

- Inherent initial learning curve:
As with anything unfamiliar, a period of adjustment is to be expected; not every control is instantly accessible, some menu diving or page selection will be required, but you’ll get your head around these in no time.
- Software:
Software/Firmware updates will be required periodically to ensure integration with the latest phones, tablets and computers. Something that the equivalent analogue mixer will never require, but then you don’t get access to the flexibility of smart devices. This, however, allows you to install and update the mixer with the latest and greatest features from the manufacturer, keeping it at the cutting edge.
- Lacking in analogue warmth:
If used primarily in the recording studio, digital consoles typically will not provide as much character and greatly desirable ‘analogue warmth’, as the pristine, digital clarity can be perceived as ‘too perfect’. The reason that big analogue consoles are still used in some studios is the ability to drive those analogue channels. With that in mind, if the studio is to be the main use case, you may wish to consider a dedicated analogue studio mixer such as the SSL Big Six or Tascam Model 16. That being said, digital mixers can also be a bonus in the studio as they integrate much better with DAWS, with many offering DAW control and compatibility with motorised or ‘Flying Faders’.
Considerations

When shopping for a digital mixer, it’s important to balance your current needs with room to grow. Start by assessing the input/output (I/O) options, make sure it has enough main and auxiliary outputs for front-of-house and monitor mixes, especially if you’re running earphones (IEMs). Bus routing flexibility is key for setting up subgroups, FX sends, and custom monitor mixes. Wireless control is a major advantage in live settings; some mixers include built-in Wi-Fi, while others require an external router and offer control via apps or browsers. The physical layout also matters; some prefer a traditional console with tactile faders, while others go for compact touchscreens with multi-function rotary encoders. For expanding your setup, look for digital snake compatibility over Cat5/6, which lets you add more I/O without bulky analogue cabling. Built-in effects, customizable fader layering, and intuitive workflow (with minimal menu diving) all contribute to a smoother experience. Consider whether the mixer is rack-mountable for installation or touring, check the screen size for ease of use, and if you plan to record, ensure it supports multitrack output via USB, SD card, or direct-to-computer. Considering all these features will help you find a mixer that fits seamlessly into your setup, whether you’re in a studio, on stage, or somewhere in between.
Conclusion
Taking all this into account, utilising a digital mixer will offer you a wealth of options which would normally require an entire rack of equipment, owing to their high adaptability, customisable user experience and professional appointments. While initial cost is a consideration, for anyone that performs or uses a PA regularly in any setting, the convenience, power and countless features only available on a digital mixer will more than make up for this in a very short time. Before too long, you will be left wondering why you waited so long to make the switch.
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