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Transcript
Matt Hornby: Hi, guys. I'm Matt.
Rabea Massaad: I'm Rabea.
Matt: This is Sounds Like on Andertons TV.
[music]
Rabea: Matt, this is a hard one today.
Matt: This is a difficult one. Well, it's probably the most difficult, the most kind of-- I don't even know what the word is.
Rabea: Anticipated, prestigious.
Matt: Ridiculous-
Rabea: Awesome.
Matt: - amazing.
Rabea: I'm disclaimering right now. I am not this artist. I will never be able to play like this artist. Either way we will try.
Matt: We're going to try and sound like James Hendrix.
Rabea: Oh my God.
Matt: Jimi Hendrix.
Rabea: Jimi Hendrix. [laughs] James Hendrix. That's wrong Matthew.
Matt: No, he knows. He is the guitar player of all guitar players.
Rabea: He pretty much influenced most of the greats.
Matt: He kind of.
Rabea: If not all of them.
Matt: Well, an electric guitar is so associated with that guy.
Rabea: He doesn't really need an intro does he?
Matt: No, he doesn't at all but I'm blabbering on about it.
Rabea: [laughs]
Matt: Anyway, so to sound like Hendrix there's a few components which are like key. We've already had a little think about it and we're going to probably struggle to-- for £1,500, it's such a tall order. I mean a lot of earlier guys didn't use those pedals. Hendrix is a bit of an exception. He has not loads of pedals but the three or four he does have add up to a few hundred quid quite quickly so for our £1,500, I don't know what we're going to do.
Rabea: Well, let's not wait here and find out, Matthew. Let's go and find out ourselves upstairs. There it is.
Matt: This is the one.
Rabea: Is that the one?
Matt: We don't really have another option for this, I don't think.
Rabea: Well, I don't think it'd be right to have another type of guitar really. I mean when you consider the design for it, the price point and the way it looks.
Male: Excuse me, chaps.
Matt: That's all right. It's the summer holidays, it's busy. There isn't really another option really. It's going to really put us up for a challenge though for £700 this Hendrix Strat, that's how much it costs. The thing with this is because he played a right-handed guitar left-handed, the pickups are reversed which does add some definite character to his sound.
Rabea: It's even got his little signature on the headstock.
Matt: Another authentic Hendrix thing.
Rabea: Authentic Hendrix.
Matt: I think if we were a lot of other guitar players, maybe we'd go, "Oh, let's just use a Squier
Rabea: It's hard to know how on point this guitar is going to sound, but we don't as much really have a choice. It's going to be this guitar. You might have noticed we're in the Marshall section, the orange section, the Blackstar section. Now, if budget wasn't a problem, I'll either say the JTM-45 MkII or one of the Astoria's because they have three different kinds: low gain, sort of mid gain and high gain, so we would have gone for one of those. However, my idea--
Matt: What is it?
Rabea: You know how we said we were never going to use the DSL40C, why don't we get the DSL5C because it's five watts, still valve so it'll be pokey and it'll be loud enough to be able to gig with it but-
Matt: We can turn out--
Rabea: - because the thing with wattage that people don't seem to understand is although you know 100 watts in
terms of volume is quite drastic to five, a valvem still produces a lot of noise. The thing about wattage is the headroom of the cleans and stuff like that and things that start to bottom out, start to over compress when you crank them in full. The thing with high gainers, we need this for more of a clean slightly, slightly broken up sound. I'm thinking we're not going to find what M?
Matt: Is that a 10-inch speaker in these?
Rabea: That's a 10-inch speaker I think, yes.
Matt: I think because Hendrix was somebody who played four 12s, didn't he?
Rabea: He's got a good idea, yes. How about a 15 watt -
Matt: A 12-inch speaker it's likely to move kind of similar manner there at least.
Rabea: It's probably going to be a loud one.
Matt: That's another hundred quid but that does mean we've got 700 plus 500 is about--
Rabea: Is 1,189.
Matt: Yes, so we still got £300 left for the pedals.
Rabea: For pedals.
[music]
Matt: All right, so we need some pedals for Hendrix and there's one in particular which is so associated with him that we've got to do it and that is the Fuzz Face. I think originally he had a Dallas Arbiter Fuzz which they no longer make, but there is a version which is exactly the same circuitry as that original one but it's smaller, in a small stone box style. I think that's what I'm sure.
Rabea: Yes, absolutely.
Matt: It's the blue one here.
Rabea: Nice.
Matt: I like sea color type things.
Rabea: We definitely need an octave, kind of fuzz octave because he was famous for having that upper octave on top of a fuzzy sound.
Matt: Especially that Purple Haze soul type of sound.
Rabea: Yes and Voodoo Child, stuff like that.
Matt: There is the Octavix by Electro-Harmonix. There's also- we did spot--
Rabea: The Curling Bridge.
Matt: Yes, that one.
Rabea: That one's round the corner and that's basically the same thing as the Octavix down there. It's basically Octave Fuzz, the upper octave and it's really should give you that Jimi sound, that feel.
Matt: That's only 67 quid.
Rabea: That one's 140, isn't it?
Matt: Yes, I think the Fuzz is about 100 so even with those who are already on--
Rabea: We still need a vibe.
Matt: We need a vibe.
Rabea: Let's check out MXR for some vibealicious vibeage. It's all a bit loud but it's great. We need a vibe, we need a wire.
Matt: We do.
Rabea: I think we've got our Octavix. We've got our Fuzz Face so we're probably on point there.
Matt: Well, with the MXR Uni-Vibe.
Rabea: Which is there.
Matt: Which is here. Which is around the £100 mark and then a load of Hendrix's his stuff was modded by guys like Roger Mayer and there is a Hendrix Dunlop Wah, but honestly I think he used a Vox Wah most the time. A standard Vox Wah might do the trick.
Rabea: Okay. Well, let's get it. Have we got budget for it? It's always the question.
Matt: We need to go and do some maths.
Rabea: Okay, let's math it.
Matt: Math it out.
[music]
Rabea: Matthew.
Matt: Rabea.
Rabea: We are back in the video room.
Matt: We are back once again and this is the-- I don't know what to call it. This is just the pinnacle of doing sounds like maybe-- maybe it's the [crosstalk]
Rabea: That's why we pushed them back so far.
Matt: To be honest a lot of you have said, how on earth could you do [unintelligible 00:07:49] before Hendrix and things like that. I guess if we covered all of the-- their kind of the icons first, it would have just got boring after a while and then they all wouldn't have tuned in.
Rabea: The hardest bit about this has been, we're listening to vintage recorded, that into tape, into just like -- It's so far removed from any of this.
Matt: Live recordings as well which are like the gear varies and the gear did vary in his rig and also he had a lot of modern stuff which just adds even more kind of complication to it.
[music]
Rabea: Just to say now, Matt has been playing some rhythm and he's been using the trusty old Fender Bassbreaker.
Matt: And a Fender Custom Shop Strat.
Rabea: That would be Peter Honore's 1954 reissue.
Matt: It's actually a very, very, very nice guitar.
Rabea: It is a beautiful guitar and then moving straight on to mine rig. This is the Fender sort of Jimi Hendrix-- authentic Jimi Hendrix Strat I guess. It's maple neck not too fat of a neck. As you pointed out, the pickups are actually the other way around because-
Matt: They flip that way.
Rabea: - it was as if Jimmy this is an upside-down right-hander that he'd flipped or whatever. It did just kind of plugged straight in with a clean tone, did kind of just sound right.
Matt: Yes, it did totally and especially as we've got kind of a few pedals that-- Well, in fact, all the pedals are really, really, really specific-
Rabea: Very much so.
Matt: - in terms of getting there. I guess we could run through that now.
Rabea: Yes.
Matt: At the beginning, Hendrix as well was famous for running his Vox Wah first in the chain. We've tried to do that as well. That's just a classic out of the box Vox Wah.
Rabea: Again, it's legit in terms of the tone that it gives off. We could have got the Jimi Hendrix Dunlop Wah but apparently, it's not that legit in terms of its tone.
Matt: It isn't a Vox Wah.
Rabea: No.
Matt: He's known for playing the VOX Wah. We tried to go, "Let's get a Vox Wah."
Rabea: Because we're trying to go for the vintage tones as opposed to the signature gear I guess.
Matt: Yes. Next up, we have the Fuzz Face. This is the mini Hendrix. This is the same paint finish which you might recognize from Jimi's original one, which is probably like that size. It's a replica of the circuitry in that original one.
Rabea: Moving on.
Matt: Yes, that's the Electro-Harmonix Octavix which is for some of the lead stuff gives you that kind of octave up undertone essentially.
Rabea: What's interesting is we didn't know what it was going to sound like, because we've been told that this is very good for that Jimi vibe as well as there are loads of pedal companies that make the same sort of thing. Then we've got the MXR Uni-Vibe which, as we said, unfortunately, we didn't actually use it in any of the excerpts, but I'll give you a quick demo of what it sounds like. It's great Uni-Vibe at the end of the day.
You've got speed, level and depth. Then you've got the option to add or subtract-- I think it's extra vibe with the little button here. Then lastly, is probably the most affordable pedal in the entire rig and that's the Tone City Tape Machine. The only reason that we did that was because we didn't have enough budget to get more of the original Echoplex-style echo going on.
[music]
Rabea: Let's give you a quick demonstration of the tone. I'll just show you the amp. We've got basically the amp's working in two different ways. It's the DSL15C. It's pretty much the same as the 4E to be honest.
Matt: Just a little more interesting.
Rabea: Yes, it's plug and play. It has a half-power mode. There's no standby to turn it on. We've been using it
between the two channels. We've been using the classic gain with both gain and volume on full. Hopefully, we can get a quick screenshot of the settings. Then on ultra-gain, we've had the gain just a tiny bit dialed in but then volume gunned. Then when I'm switching channels, I'm literally bringing up bass to number four and taking it out. The clean house bass has no bass and the distortion has bass. It's interesting how it works but I'll show you. If I first of all give you the clean.
[music]
Matt: That sounds great actually.
Rabea: That is what I used. That tone is what we did for Little Wing. We didn't do anything else just straight the amp with the reverb, the ultra-reverb on the amp.
Matt: It actually sounds way better further away as well. [laughs]
Rabea: Yes.
Matt: What am I saying?
Rabea: It is really loud in here.
Matt: It's horrible.
Rabea: Deafeningly loud. To show you the other tone that we got. If I put the bass back in-
Matt: Then it's getting on.
Rabea: - and then swap the channel over to ultra-gain.
[music]
I think most of that saturation is actually coming from the power section of the amp because it is on full. There is no master volume, we're just running channel volume on full which is 15 watts. That's the power valves really putting out there. That's probably why we're getting that. I actually think that's a great tone. This is the Wah pedal and for me, this was the most legit tone we managed to get.
[music]
You know what I mean?
Matt: It sounds great.
Rabea: It's that.
[music]
It's totally-- I don't know.
Matt: [laughs]
Rabea: For me, it instantly sparks up that's the sound.
Matt: It really swell. It's really warming.
Rabea: Obviously, there's a bit of hiss because the volume-- the amp's on full. That's the Vox. Now, we're on to the Fuzz Face.
Matt: It's already pretty noisy.
Rabea: I'll show you on the neck pickup and on the bridge pickup how we used it.
Matt: Go for it.
[music]
That's great.
Rabea: Then we'll put it on the bridge.
[music]
Matt: Lovely.
Rabea: It's just, it's got the saturation and it's the sustain, you can hold that note and it should just hopefully just carry on.
Matt: It's got that feeling like it's overloading kind of feel. It's wonderful.
Rabea: Yes, the next one is probably the most piercing sound in the room.
Matt: 99.
Rabea: It's brutal. Well, this is what it sounds like. This is the Octavix doing its thing.
[music]
[laughs]
Matt: That's really, really, really loud. It's totally legit.
Rabea: It is. That was with the Fuzz Face in. What's interesting is when you use the Octavix with the Tape Machine on the neck pickup without the Fuzz Face, you do get the Purple Haze style.
[music]
Tape machine just to give you an idea of what it was doing. This is it straight in.
[music]
Just to smoothen out that reverb give it a lot bit more blue that's it.
Matt: Then with the Octavix.
Rabea; Yes, if you put it in with it.
[music]
Now, Uni-Vibe. I'm going to do is I'm going to put it on a clean channel.
Matt: [crosstalk]
Rabea: It's a good position for-- Let's check a little bit more level in.
Matt: More reverb, we put the reverb up.
[music]
It's lovely.
Rabea: Lovely, lovely, very vibing vibe pedal.
Matt: Apparently, he got older one of these later on like Band of Gypsys era. One thing was said was that his had the speed really low.
[music]
Rabea: That is the rig. There isn't anything else to say, really. It's definitely a tall order. There's no doubt about it. I think we knew when we started filming this earlier on today that it was going to take a while.
Matt: Totally. The one thing you might say is that with the DSL15 like, "Can you gig with that? Will it get over a drummer type of thing?" I think depending on your drummer, you might be lucky. You can get that in the 40s as you well know. Even the five when it's more.
Rabea: There you go. There you go. All the gear, as normal, will go in the description box. We'll give you links so that you can check out each one of these pedals. The guitar, the amp, and everything.
Matt: We'll even stick the Bassbreaker in as well so you can have a look at that. Let us know what you think.
Rabea: We'd love to know what you think.
Matt: That was the difficult Hendrix one. Let us know how you think we did. Suggest some more stuff.
Rabea: I'm going to suggest one thing.
Matt: Go on.
Rabea: Can we do this by busting the bank one time?
Matt: That's probably a really good idea, isn't it?
Rabea: Definitely a good idea.
Matt: Definitely. It'd be definitely a good idea.
Rabea: Absolutely. On that note, I've been Rabea.
Matt: I've been Matt.
Rabea: This has been Sounds Like on Andertons TV.
Matt: See you later.
[music]
[laughter]
Matt: Not that. The last chord, it's a [beep] thing.
[laughter]
Matt: Oh, man. That's [unintelligible 00:21:54] [beep] again.
Rabea: Eaten by a shark.
Matt: Nice for the beach.
Rabea: It is. [laughs] That's a good analogy. It's like swimming across the channel and getting knifed on the beach. At the other end when you think it's all victorious.
Matt: Woo-hoo.
[music]
[00:22:29] [END OF AUDIO]