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’50s, ’60s and ’70s Fender Strats: What’s The Difference?

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Few electric guitars are as iconic, versatile, and widely adored as the humble Fender Stratocaster. Since its debut in 1954, the Strat has been on the scene of countless musical revolutions, appearing in the hands of everyone from Buddy Holly to Jimi Hendrix to Eric Johnson. But while that famous S-style guitar silhouette has remained largely unchanged over the years, the Strat’s features have seen some pretty significant shifts from decade to decade.

In this guide, we’ll take a closer look at the ’50s, ’60s, and ’70s Fender Strats and find out how they compare in tone, feel, and style.

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The Origins of the Fender Stratocaster

The Fender Stratocaster was born out of a desire to push the electric guitar further than it had ever gone before. In the early 1950s, Leo Fender had already turned the industry on its head with the advent of the Telecaster T-style guitar and Precision Bass. But despite the incredible impact these instruments made, musicians were asking for more comfort, more tone variety, and more expressive possibilities. In response, Fender’s team (including George Fullerton and Freddie Tavares) began sketching a new design that would become the Stratocaster.

Making its debut in 1954, the Strat built upon the impressive work of the Tele, but introduced several major innovations. Its sleek double-cutaway body was contoured for comfort, giving players much easier access to higher frets. The revolutionary tremolo system (technically a vibrato bridge) gave guitarists a whole new way to manipulate pitch. But perhaps most notably, it came equipped with a never-before-seen three single coil pickup configuration, providing a range of tones that set it apart from anything else on the market.

Why Did Stratocaster Specifications Change Over Time?

Following Fender’s introduction of the Stratocaster to the world, they didn’t stop to give each other a pat on the back and say job well done! Leo and his team continually worked to improve the sound, style and feel what would arguably become the most popular guitar ever.

The changes that they made to the Strat were heavily influenced by the day’s popular music. Additionally, the company looked to integrate new and desirable features, striving to stay one step ahead of an ever-evolving market of boundary-pushing guitars sold to moreish buyers. As a result, Leo Fender regularly made minor updates to the original Strat concept. 

Of course, trying to do reissues of all these differently-specced models would be impossible to keep up with! So, rather than recreate a model for each year, Fender’s modern-day Vintera and American Original ranges aim to capture the essence of each unique decade. Offshoot Fender brand Squier also tailors their Strat guitars to the same key decades of guitar innovation. That’s why today, we talk about three key eras of Strat design: ’50s, ’60s and ’70s.

Let’s take a closer look at each range and see what makes them tick.

’50s Fender Stratocasters

The very first iteration of the Strat delivered a concoction of classy looks, groundbreaking tone, and trendsetting playability. Designed as an upgrade to the Telecaster, the Strat introduced a contoured body for comfort, a floating tremolo bridge for expressive pitch bends, and three single coil pickups, providing a level of tonal flexibility that was simply unheard of at the time. It was just the spark that many of the iconic ‘50s guitarists, such as Buddy Holly and Hank Marvin, needed.

Ash was the wood of choice for the body, and it was an all-maple affair for the neck and fingerboard. One of the early features unique to the ’50s Strat was its ‘V’ shaped neck, which had a deep middle section and narrow shoulders. It also had a curvy 7.25-inch fretboard radius, but Fender opted to build American Original guitars with a flatter 9.5-inch introduced later in the decade.

The trio of single coil pickups sounded feisty and dynamic, allowing guitarists to play thicker sounding chords with better handling of low levels of tube amp saturation. At the same time, dreamier cleans were just as achievable when using the tremolo bridge and just a smattering of echo.

Common ’50s Strat Features

  • Body: Ash
  • Neck: One-piece maple with a ‘soft V’ shape
  • Fretboard Radius: 7.25″ (later modernised to 9.5″)
  • Pickups: Lower output single-coils with scooped mids
  • Finish: Nitrocellulose lacquer

Fender’s modern takes on the ’50s Strat include:

Featured Guitars

’60s Fender Stratocasters

The ’60s marked a period of refinement for the Stratocaster. This is the decade when the likes of Jimi Hendrix, Eric Clapton, Ritchie Blackmore, George Harrison, and plenty more first championed the Strat – and indeed, many consider this to be the best era of Fender Stratocaster design.

There were some stylistic changes, such as a change in pickguard from white to mint green and a host of bold new finishes. But the real updates came in both sound and feel. Fender switched from ash to alder bodies, as well as introducing rosewood fingerboards, initially with a thick ‘slab’ profile, but later changing to a thinner veneer.

The sixties also saw the introduction of a new ‘C’ shape neck, which has influenced tonnes of modern guitars – most guitarists would agree it was a step in the right direction for improving the guitar’s handling. This was further helped by the flatter 9.5-inch radius fretboard that also graced late-era ‘50s Strats.

The new decade ushered in a change in popular music, with overdrive becoming a staple in guitar music, and Fender obliged with pickup updates to meet these new demands. They stuck with the same single coil pickups, but made them a touch hotter with a higher output. 

Common ’60s Strat Features

  • Body: Alder
  • Neck: Maple with rosewood slab or veneer fingerboard
  • Neck Shape: Rounded ‘C’
  • Fretboard Radius: 7.25” or 9.5” (modern reissues)
  • Pickups: Hotter single-coils with more midrange

Modern models inspired by the ’60s Strat include:

Featured Guitars

’70s Fender Stratocasters

The 1970s were a controversial decade for Fender, and the Stratocaster certainly reflected the times. After Leo Fender sold the company to broadcasting network CBS, manufacturing decidedly shifted towards a more corporate, cost-cutting focus. In turn, this led to some hit-and-miss results, but there was also a diverse range of unique changes that gave ’70s Strats a character all their own.

The switch from nitro to polyurethane finishes made the CBS-era Fender guitars more durable, but slightly less resonant. Bodies often used heavier ash, resulting in weightier instruments, and maple necks made a return, paired with larger “CBS-style” headstocks. The neck shape also began to thicken, first moving to a slightly chunkier ‘C’ before later evolving into a ‘U’ neck on later models.

Fender also began experimenting with pickup configurations. Some models featured higher output single coils, but for the first time, you could get your hands on a Strat with a humbucker pickup in an HSS configuration, a perfect response to the increasing levels of gain being heard in the growing hard rock genres. Lots of players would consider this to be the optimal pickup layout.

Some purists felt the ‘70s Strats lacked the finesse of their ’50s and ’60s counterparts; others embraced the beefier tones and bold aesthetics. Today, they’ve developed something of a cult following, especially among players who favour funk, punk, and hard rock.

Common ’70s Strat Features

  • Body: Often heavier ash
  • Neck: Maple with large headstock and bullet truss rod
  • Neck Shape: Chunky ‘C’ or ‘U’
  • Finish: Polyurethane
  • Pickups: Higher output single-coils, sometimes HSS

Modern examples of ’70s-style Strats include:

Featured Guitars

’50s, ’60s and ’70s Fender Strats: FAQs

What’s the difference between a ’50s vs ’60s Stratocaster?

’50s Strats typically have ash bodies, maple necks, and a brighter tone. ’60s Strats use alder bodies and rosewood fingerboards for a warmer, rounder sound.

Are ’70s Fender Strats any good?

They’re a little divisive, but they have their fans for sure! While CBS-era Strats had some quality control issues, they’re known for their punchy tone, unique looks, and funk/rock appeal. And who doesn’t love the sound of a Strat with high output humbuckers?

Which Strat is best for blues?

Most blues players favour ’60s-style Strats for their balance of warmth, clarity, and smooth neck profiles.

What’s the difference between Vintera II and American Vintage II Strats?

Vintera II guitars are designed to be more affordable and feature modern tweaks. American Vintage II guitars offer period-correct specs and finishes that are closer to vintage originals.

Is the Stratocaster good for metal?

By tradition, Strats are more associated with clean, bluesy, or classic rock tones. But with the right pickups (especially in HSS [humbucker-single-single] configurations) and a high-gain amp, Strats can absolutely handle metal. Plenty of modern players use modified Strats or Super Strats for heavier styles.

Why is it called a Stratocaster?

The name “Stratocaster” was inspired by the word “stratosphere”, supposedly to evoke a futuristic, space-age vibe that fit with the guitar’s (at the time) cutting-edge design. It also followed Fender’s earlier naming convention, building on the success of the Telecaster.

Is a Strat or a Telecaster better?

Neither is strictly better; it all depends on what you want your guitar to do. Telecasters have a more direct, twangy tone and simpler control layout, while Strats offer more flexibility in tone and a smoother, contoured body. Both are bona fide classics – it all comes down to personal taste.

Maple vs Rosewood Strat fingerboards: which is better?

Maple fretboards tend to produce a brighter, snappier tone with more attack, while Rosewood has a warmer, smoother sound. Maple is usually a bit slicker and more percussive, whereas Rosewood has a slightly softer playing feel.

Want to Learn More?

Enjoy reading this article? Then check out these pages too:

Or explore our full range of Fender Stratocasters online and find your perfect decade!

If you enjoyed this read, check out more of our Learn and Industry articles!

Published by
Cian Hodge

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