How to Restring a Bigsby Guitar

Re-stringing a guitar is generally an easy process, which gets easier the more you do. At first, it's a challenge, and then you start challenging yourself to do it faster. A Bigsby however, is a completely different story.

Jed

Jed

Re-stringing a guitar is generally an easy process, which gets easier the more you do. At first, it’s a challenge, and then you start challenging yourself to do it faster.

Bigsby Yoga

What looks like a fairly simple tremolo system can actually cause a bit of a headache the first time you come around to re-stringing your Bigsby-equipped electric guitar. I know it did for me the first time I tried to do it. It’s safe to say I needed a few extra arms to get it right, because the ball-end of the string just wouldn’t stay hooked to the Bigsby. What a mess.

But, after doing it a few more times, I wanted to share some advice to make life easier for you when you want to re-string that Bigsby.

Disclaimer: This is just a basic how-to guide. If you aren’t confident with doing it yourself, then book your guitar in for a setup or for a re-string with your local tech. Always be careful when using string clippers and make sure to release the string tension before clipping the string.

Joss Allen with Bigsby Equipped Gretsch White Falcon

The problem with the Bigsby Trem – In a Nutshell

When stringing a string-thru body guitar, or even a classic tremolo style body, the string catches on the bridge-piece, leaving both of your hands free to focus on pulling the string through the machinehead and winding it onto the string post.

A Bigsby is slightly different, because you have to hook the ball-end over a pin extruding from the Bigsby tailpiece. And the trick is making sure the ball-end stays hooked onto the small pole-piece while you do the work on the machinehead post.

The second any tension is lost, the string will fall off and you’ll need to start again.

Bigbsy themselves recommend getting a small foam wedge to keep the ball-end in place every time you do another string.

The Official Bigsby Guide To Re-Stringing

You’ll need:

  • Wirecutters – to clip strings
  • Needle Nose Pliers – to crimp the string

Here’s the step-by-step guide:

  1. Crimp the string at a 45° angle next to the ball end (A).
  2. Feed the string underneath, around and over the axle (B).
  3. Place the ball end of the string onto the axle pin (C), keeping tension on the string to hold the ball in place.
  4. Push a foam wedge (D) into the space under the axle to keep the string in place on the pin while winding.
  5. Wind the string onto the tuning machine, tune to pitch and remove the foam wedge.

How to restring a Bigsby - Andertons Music Co.

The Capo Trick

You’ll need:

  • Wirecutters
  • Needle Nose Pliers
  • A Capo

Another good way to hold the tension of the string down while you wind it around the post is by simply using a capo!

You’ll still need to crimp the string to feed it onto the rotating shaft of the Bigsby trem. Feed the string underneath the rotating shaft and put the ball-end onto the axle pin as normal.

Then, instead of using the foam wedge to hold the string in place, you can pull the tension of the string and place the capo onto the 9th fret. Hey, presto!

This will hold the string in place while you measure how much string you’ll need to wind around the post. The best thing about this is you can take your sweet time winding it around the post. With the capo on, you could even leave the guitar and make a cup of tea!

From there you can just thread the machinehead post and string as normal.

The Bigsby vs. Floyd Rose challenge on Andertons TV

Alternative Bigsby Re-stringing methods

I don’t mean you shouldn’t re-string your guitar. You should always re-string your guitar – it’ll just sound better. Trust me!

But there are some ways around the conventional method of re-stringing your guitar.  For example, the Vibramate String Spoiler system, which locks onto the Bigsby and enables you to attach the string to the bridge via a far more conventional, top-loading method.

Or you could try the Duesenberg trem. This isn’t a solution if you already have a Bigsby, but it allows you to replace your tune-o-matic bridge with a Duesenberg Trem without damaging the guitar! Neat right?

What’s the difference between Bigsby B3, Bigsby B5, Bigsby B7 and more?

The Bigsby Trem range is vast and includes many different types of the same thing, designed to match specific guitar body shapes. For example: You’d need a different Bigsby for a Fender Telecaster or Fender Stratocaster (yes, they do exist!) than you would for a Danelectro or a Gibson guitar.

  • Bigsby B3 – The Bigsby B3 is designed for use on thin electric hollow or semi-hollow guitars. This includes Gibson Memphis hollowbodies and semi-hollows like the ES-335.
  • Bigsby B5 – The Bigsby B5 is designed for use on flat top electric guitars like a Telecaster.
  • Bigsby B7 and B12 – Another popular branch of the Bigsby family, the Bigsby B7 and Bigsby B12 are designed for use on arch top electric guitars.
  • Bigsby Lightning Series – The Lightning series offer a cheaper alternative to the standard Bigsby range. Produced in the Far East, they are made with die-cast aluminium, with series numbers designated B30 – B700.

Conclusion

Hopefully, after reading this guide you’ll feel more confident with re-stringing Bigsby-equipped guitars. It’s probably easier than you think but a bit of practice always helps!

Are you curious about how long it can take to restring a Bigsby-style bridge? Check out our ‘How Long Does It Take To Restring a Bigsby & Floyd Rose?‘ article, comparing two of the trickiest tremolos!

Let us know in the comments below if you have any other ways of re-stringing your Bigsby, or if you prefer to get a tech to do it!

Interested in finding out more about music gear and expanding your knowledge? Click here to view all of our Learn articles.

Jed
Jed
Jed has worked on our shop floor, handled guitar content on the site and now leads the digital content team. He's equal parts rock frontman/guitarist and wannabe folk singer-songwriter. Jed's a PRS, Tele and Orange Amps lover with an unhealthy obsession with fuzz, octave and ambient effects.

Responses & Questions

Leave a Reply