The hollow body guitar and its semi-hollow successor are still as popular as ever, outliving countless fast musical fads over the last few decades. But makes both types of guitar unique? And what good is a hollow electric guitar, anyway? Here’s a very brief overview:
- Hollow body guitars are primarily used in jazz and blues
- They produce clear, soft tones
- Semi-hollow body guitars utilise a centre block of wood
- They are able to deal with increased gain
- Semi-hollow guitars suit rock and other modern genres
These two retro designs certainly have their place in amongst contemporary music and they’re not about to retire any time soon. Part of the attraction is down to the old school aesthetic, but they produce very specific sounds you’ll need in your arsenal, too.
Hollow Body Guitars
Hollow body electric guitars were first created in the 1930s in an attempt to compete for loudness in large jazz bands and orchestras. The archtop shape and iconic F-hole design are instantly recognisable features of a hollow body. You could say this style of guitar is very much “of its time”. It utilises a large open body, high string action and old school, low output pickups.
This is successful as a jazz instrument because of its clean, smooth tones. It also adds a little grit when played through a loud valve amp. A hollow body’s dynamics resemble those of an electro-acoustic in many ways, but they sound smooth like a regular electric guitar in contrast to an acoustic’s jangly characteristics.
The hollow body falls short, however, when you apply much higher volumes or gain. It is highly susceptible to feedback, although many guitarists have learned to use it in their favour. Take Gary Clark Jr, for example: He often uses hollow bodied Epiphone Casinos live to get a gritty Blues Rock tone, using his guitar volume to intricately control the feedback from the amp.
Legendary players such as George Benson and Chet Atkins favoured their warmth, which also works nicely when using slide techniques. Renowned alternative guitarists Geordie Walker of Killing Joke and Steve Howe from Yes use hollow body guitars to sustain notes and breath life into ambient sections.