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	<title>Ben Greener &#8211; Andertons Blog</title>
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		<title>The Best Guitar Pickups For Metal</title>
		<link>https://blog.andertons.co.uk/learn/the-best-pickups-for-metal</link>
		<comments>https://blog.andertons.co.uk/learn/the-best-pickups-for-metal#respond</comments>
		<pubDate>Thu, 11 Dec 2025 09:58:16 +0000</pubDate>
		<dc:creator><![CDATA[Ben Greener]]></dc:creator>
				<category><![CDATA[Learn]]></category>

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		<description><![CDATA[<img width="600" height="600" src="https://blog.andertons.co.uk/wp-content/uploads/2018/03/passive-pickups1-600x600.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Passive Pickups - Andertons Music Co." style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" link_thumbnail="" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/03/passive-pickups1-600x600.jpg 600w, https://blog.andertons.co.uk/wp-content/uploads/2018/03/passive-pickups1-200x200.jpg 200w" sizes="(max-width: 600px) 100vw, 600px" /><p>Metal guitarists&#8217; choice of guitar pickups has been far more diverse than you might initially think. When you hark back to the tones that shaped metal, you’ll encounter an ever widening scope of sonic flavours. Tony Iommi played early Sabbath riffs on the neck pickup while focusing his power chord attack on the higher frets [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://blog.andertons.co.uk/learn/the-best-pickups-for-metal">The Best Guitar Pickups For Metal</a> appeared first on <a rel="nofollow" href="https://blog.andertons.co.uk">Andertons Blog</a>.</p>
]]></description>
				<content:encoded><![CDATA[<img width="600" height="600" src="https://blog.andertons.co.uk/wp-content/uploads/2018/03/passive-pickups1-600x600.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Passive Pickups - Andertons Music Co." style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" link_thumbnail="" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/03/passive-pickups1-600x600.jpg 600w, https://blog.andertons.co.uk/wp-content/uploads/2018/03/passive-pickups1-200x200.jpg 200w" sizes="(max-width: 600px) 100vw, 600px" /><p class="Standard">Metal guitarists&#8217; choice of guitar pickups has been far more diverse than you might initially think.</p>
<p class="Standard">When you hark back to the tones that shaped metal, you’ll encounter an ever widening scope of sonic flavours. Tony Iommi played early Sabbath riffs on the neck pickup while focusing his power chord attack on the higher frets of the low E string and Richie Blackmore used <a href="https://blog.andertons.co.uk/labs/single-coil-vs-p90-vs-humbucker-pickups"><span style="color: windowtext; text-decoration: none; text-underline: none;">single-coils</span></a> to spawn the prototypical neoclassic metal fire. Randy Rhoads forged his tone with <a href="https://www.andertons.co.uk/browse/brands/gibson/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Gibson</span></a> or <a href="https://www.andertons.co.uk/browse/brands/seymour-duncan/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Seymour Duncan</span></a> pickups through a distortion pedal and <a href="https://www.andertons.co.uk/browse/brands/marshall-amps/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Marshall</span></a> head. And of course, Metallica came along and drove their scooped-mid attack with active EMG humbuckers. In the 21<sup>st</sup> century, passive pickups made a return in prog metal and instrumental circles but now the current popular tone is super thick and heavy, even in the mainstream.</p>
<p class="Standard">This all demonstrates how you can achieve an insanely good metal tone in a variety of ways, depending on what sort of tone you&#8217;re shooting for. Let&#8217;s explore the types of pickups and brands that&#8217;ll help you achieve your golden guitar sound.</p>

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<h2>Active pickups</h2>
<p>We have <a href="https://blog.andertons.co.uk/sound-like/sound-like-metallica">Metallica</a> to thank for metal&#8217;s progression from the soaring melodies of New Wave of British Heavy Metal (NWOBHM) to the thrashier, darker and more intense sound in the &#8217;80s and &#8217;90s, and a large part of that comes down to James Hetfield and Kirk Hammett&#8217;s preference for active pickups.</p>
<p>Pickups like the <a href="https://www.andertons.co.uk/browse/brands/emg-pickups/">EMG</a> 81 and 85 combo, the Seymour Duncan Blackouts, or the <a href="https://www.andertons.co.uk/browse/brands/bare-knuckle-pickups/">Bare Knuckle</a> Ragnaroks are loads of fun to use. Their sizzling power comes from an internal preamplifier powered by a 9-volt battery, which increases the output exceeding that of passive pickups. You can&#8217;t go without mentioning <a href="https://www.andertons.co.uk/browse/brands/fishman/">Fishman</a>, who offer a range of voicings all from the same Fluence pickup.</p>
<p>Active pickups also produce less noise than passive pickups, which allow you to load up on even more gain from your amp. You can dial in a very tight Metallica/Megadeth type of tone, or push them hard for crushing tones like those of Korn and Slipknot during the &#8217;90s and early &#8217;00s. Active pickups went a little out of fashion after than, and they&#8217;ve made something of a comeback in the current metal scene with bands like Spiritbox and Sleep Token using them in tandem with <a href="https://www.andertons.co.uk/best-seven-string-guitars-guide">7- and 8-string guitars.</a></p>
<p>Best used for&#8230;</p>
<ul>
<li>Massive amounts of output</li>
<li>Tight thrash chugging</li>
<li>Thunderous modern tone</li>
</ul>
<h3 style="text-align: center;">Active Guitar Pickups</h3>
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<p style="text-align: center;"><a class="button button--primary" href="https://www.andertons.co.uk/browse/guitar-accessories/guitar-pickups-electronics/electric-guitar-pickups-electronics/active-guitar-pickups/">Browse Active Guitar Pickups</a></p>
<h2>Hot single-coil pickups and P90s</h2>
<p>You could argue that if Gibson hadn&#8217;t made soapbar P90 pickups, metal would never have sounded quite the same. Black Sabbath&#8217;s Tony Iommi was a huge fan of the design in his <a href="https://blog.andertons.co.uk/labs/gibson-les-paul-vs-gibson-sg">SG</a>, which spearheaded the raspy sound of their early albums. P90s sit somewhere in between classic single-coils and humbuckers on the tonal spectrum: they&#8217;re still quite dynamic but they&#8217;ve got more of a drive to them.</p>
<p>Other metal forerunners like Deep Purple&#8217;s Ritchie Blackmore used stock Fender Stratocaster single-coil pickups, while Jimmy Page of Led Zeppelin wielded a Telecaster for some time before the switch to the Gibson Les Paul. Obviously, this is going to get you the modern tone many players gravitate towards now, but you&#8217;ll still get some unique sounds by mixing up what you use. For example, Liverpudlian band Loathe have brought something completely new to the metal table by wielding single-coil-equipped baritone guitars. You&#8217;ll still need to use a high-gain amp and possibly overdrive or distortion <a href="https://blog.andertons.co.uk/learn/ultimate-metal-guitar-pedalboard">guitar pedals</a>, and plenty of post-EQ tinkering to make this work.</p>
<p>Best used for&#8230;</p>
<ul>
<li>Old school aggression</li>
<li>Experimenting with new heavy sounds</li>
<li>Excellent versatility</li>
</ul>
<h3 style="text-align: center;">Single Coil Guitar Pickups</h3>
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<p style="text-align: center;"><a class="button button--primary" href="https://www.andertons.co.uk/browse/guitar-accessories/guitar-pickups-electronics/electric-guitar-pickups-electronics/single-coil-guitar-pickups/">Browse Single Coil Guitar Pickups</a></p>
<h2>Modern passive humbuckers</h2>
<p>For a long time, an active pickup-equipped guitar was the go-to for metal player. From &#8217;80s thrash and shred through to &#8217;00s death metal and nu metal, the vast majority of guitarists favoured the sheer power of the active pickup. That began to change with a more a number of mainstream acts like Muse, Lamb of God, Mastodon, Gojira and Deftones pursuing a more mid-focused, dynamic sound, which you get from passive pickups.</p>
<p>Around the middle of the 2000s the progressive metal movement many would know to be &#8216;djent&#8217; came to the fore. This demanding form of music pioneered most prominently by Meshuggah and later Periphery, Animals as Leaders and Tesseract required a superior dynamic response. One that could handle the most crystalline of cleans and the most devastating of distorted tones, while retaining as much clarity in big chords as possible.</p>
<p>UK manufacturer Bare Knuckle seem to have captured the imagination of this crowd, especially with the Juggernaut, Aftermath and Black Hawk humbuckers. These pickups are designed to provide the transparency and output of an active with the character and dynamic control of a passive pickup. <a href="https://www.andertons.co.uk/browse/brands/dimarzio-pickups/">DiMarzio</a>&#8216;s Crunch Lab and Titan have also proven extremely popular, with their hot magnets tamed with clarity and a couple of extra strings in mind. Add <a href="https://www.andertons.co.uk/browse/brands/seymour-duncan/">Seymour Duncan</a> to the list too, with their Distortion, Sentient and Pegasus models a popular stock choice in metal guitars. To answer one frequently asked question: yes, you absolutely can use passive pickups to play metal!</p>
<p>Best used for&#8230;</p>
<ul>
<li>Mid-focused attack</li>
<li>Clarity in complex chords</li>
<li>Versatility with clean and crunchy tones</li>
</ul>
<h3 style="text-align: center;">Humbucker Guitar Pickups</h3>
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<p style="text-align: center;"><a class="button button--primary" href="https://www.andertons.co.uk/browse/guitar-accessories/guitar-pickups-electronics/electric-guitar-pickups-electronics/humbucker-guitar-pickups-1/">Browse Humbucker Guitar Pickups</a></p>
<h2>FAQs</h2>
<h3 class="Standard">Who uses active pickups in metal?</h3>
<p class="Standard">Loads of metal guitarists use active pickups, but some of the most popular are James Hetfield and Kirk Hammett of Metallica, Dave Mustaine of Megadeth and Kerry King of Slayer, the old school thrash scene; Mick Thomson of Slipknot, Matty Heafy of Trivium, Parkway Drive, and Devin Townsend all used active pickups during the &#8217;90s and &#8217;00s; and Periphery&#8217;s Misha Mansoor, Mark Holcomb and Jake Bowen, Animals as Leaders frontman Tosin Abasi and Mark Okubo of Veil of Maya have all experimented with them in the prog metal scene.</p>
<h3 class="Standard">Who uses passive pickups in metal?</h3>
<p class="Standard">If you&#8217;re looking for a thrashier, old school tone, then Iron Maiden and Anthrax proved you can do it with passive pickups. Pantera&#8217;s Dimebag Darrell used them and got a super hot tone, mainly by using a solid state amplifier. John Petrucci of Dream Theater and Daron Malakian of System of a Down also used passives during the &#8217;90s. More recently, guitarists like Fredrik Thordendal and Marten Hagstrom from Meshuggah, The trio from Periphery, Bill Kelliher and Brent Hinds of Mastodon, Joe Duplantier of Gojira, Lee Malia of Bring Me The Horizon, and Joakim Karlsson of Bad Omens plus many more have opted for passive pickups.</p>
<h3 class="Standard">What&#8217;s the difference between active and passive pickups?</h3>
<p class="Standard">Passive pickups detect frequencies through vibrations in the strings. This is achieved by wrapping copper wire around either alnico or ceramic magnets. Active pickups share the same fundamental wire-wrapped magnet design, but because there are far few wrappings, they require a battery-powered preamp to boost the low output. This means the pickups are naturally very quiet but the battery increases the output to the crushing levels we like for metal. Find out more in our <a href="https://blog.andertons.co.uk/labs/active-vs-passive-pickups"><span style="color: windowtext; text-decoration: none; text-underline: none;">dedicated blog</span></a> on the topic.</p>
<h3 class="Standard">Are active pickups versatile?</h3>
<p class="Standard">Active pickups, although you can get a decent clean sound out of them, are some of the least versatile pickups going. If you want output for rock and metal then they are outstanding and one of the quickest ways to get a great high-gain tone. But if you really love mixing up your tones then you&#8217;re better off with passive pickups.</p>
<h3 class="Standard">What are the best guitars for metal?</h3>
<p class="Standard">You&#8217;ll find a lot of the pickups mentioned in this article in guitars made by <a href="https://www.andertons.co.uk/browse/brands/jackson-guitars"><span style="color: windowtext; text-decoration: none; text-underline: none;">Jackson</span></a>, <a href="https://www.andertons.co.uk/browse/brands/esp-guitars-basses"><span style="color: windowtext; text-decoration: none; text-underline: none;">ESP</span></a>, <a href="https://www.andertons.co.uk/browse/brands/ibanez-guitars-basses/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Ibanez</span></a>, <a href="https://www.andertons.co.uk/browse/brands/gibson/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Gibson</span></a>, <a href="https://www.andertons.co.uk/browse/brands/schecter-guitars/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Schecter</span></a>, <a href="https://www.andertons.co.uk/browse/brands/strandberg-guitars/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Strandberg</span></a>, <a href="https://www.andertons.co.uk/browse/brands/prs-guitars/"><span style="color: windowtext; text-decoration: none; text-underline: none;">PRS</span></a> and <a href="https://www.andertons.co.uk/browse/brands/music-man/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Music Man</span></a>. All of these brands make guitar suited to both old school and modern metal styles, so have a browse and pick out your favourite!</p>
<h2>Find Out More</h2>
<p>Interested in finding out more about music gear and expanding your knowledge? View all of our <strong>Learn</strong> articles by clicking below:<br />
<a class="button button--primary" href="/learn">Learn</a></p>
<p>The post <a rel="nofollow" href="https://blog.andertons.co.uk/learn/the-best-pickups-for-metal">The Best Guitar Pickups For Metal</a> appeared first on <a rel="nofollow" href="https://blog.andertons.co.uk">Andertons Blog</a>.</p>
]]></content:encoded>
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		<title>What&#8217;s The Best Method For Changing Guitar Strings?</title>
		<link>https://blog.andertons.co.uk/labs/best-method-changing-guitar-strings</link>
		<comments>https://blog.andertons.co.uk/labs/best-method-changing-guitar-strings#respond</comments>
		<pubDate>Wed, 10 Dec 2025 08:30:08 +0000</pubDate>
		<dc:creator><![CDATA[Ben Greener]]></dc:creator>
				<category><![CDATA[Labs]]></category>

		<guid isPermaLink="false">https://blog2.andertons.co.uk/?p=110</guid>
		<description><![CDATA[<img width="600" height="600" src="https://blog.andertons.co.uk/wp-content/uploads/2018/03/MG_1745-600x600.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="New guitar strings on a Gibson" style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" link_thumbnail="" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/03/MG_1745-600x600.jpg 600w, https://blog.andertons.co.uk/wp-content/uploads/2018/03/MG_1745-200x200.jpg 200w" sizes="(max-width: 600px) 100vw, 600px" /><p>I have never seen two guitar players restring a guitar in the same way. Some bend the strings after going through the pegs, some wind many times around the peg, whilst others do it just once. But do you replace all of your guitar strings by removing them all first? Or do you change them [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://blog.andertons.co.uk/labs/best-method-changing-guitar-strings">What&#8217;s The Best Method For Changing Guitar Strings?</a> appeared first on <a rel="nofollow" href="https://blog.andertons.co.uk">Andertons Blog</a>.</p>
]]></description>
				<content:encoded><![CDATA[<img width="600" height="600" src="https://blog.andertons.co.uk/wp-content/uploads/2018/03/MG_1745-600x600.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="New guitar strings on a Gibson" style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" link_thumbnail="" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/03/MG_1745-600x600.jpg 600w, https://blog.andertons.co.uk/wp-content/uploads/2018/03/MG_1745-200x200.jpg 200w" sizes="(max-width: 600px) 100vw, 600px" /><p>I have never seen two guitar players restring a guitar in the same way. Some bend the strings after going through the pegs, some wind many times around the peg, whilst others do it just once. But do you replace all of your guitar strings by removing them all first? Or do you change them one-by-one?</p>
<h3>Steps to changing guitar strings</h3>
<ol>
<li>Remove old strings – with a tremolo, remove one at a time.</li>
<li>Clean the fretboard and any dirty areas.</li>
<li>Slide new strings through the bridge.</li>
<li>Insert strings through tuning pegs.</li>
<li>Hold string towards tuner, give some leeway and loop clockwise under and over.</li>
<li>Hold tight and tune up so the string remains on the inside of the tuning peg.</li>
<li>Follow this for each string and retune accurately when all strings have some tension.</li>
<li>Clip excess string and you’re set.</li>
</ol>
<h3 style="text-align: center;">Guitar Strings</h3>
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<p style="text-align: center;"><a class="button button--primary" href="https://www.andertons.co.uk/browse/guitar-accessories/guitar-strings/">Shop All Guitar Strings</a></p>
<p>Nothing seems to split the world of <a href="https://www.andertons.co.uk/guitar-dept/electric-guitar-accessories/electric-guitar-care">guitar maintenance</a> more than how you restring your guitar. The old tales go that by removing all of the guitar strings at once, you can potentially ruin the playability of your instrument. From wrecking the intonation, action, tremolo placement and neck, we’ve heard it all…</p>
<p>Luckily, all of those things are easy enough to fix with a quick set up if you know how. But can you avoid having to set up your guitar every time? What if I have been restringing my guitars wrong for the last 10 years?</p>
<p>To demystify these questions, we have conducted a series of tests. Using a 2004 <a href="https://www.andertons.co.uk/prs">PRS</a> Standard 22, a bunch of guitar strings and some measuring tools, we’re going to find out which string-changing method will affect the action, neck placement or bridge position of your guitar the most- or least! Let’s get started…</p>
<h3>Hypothesis: <em>Changing guitar strings one at a time makes no difference to your guitar&#8217;s setup compared to restringing the guitar all at once.</em></h3>
<p>I believe that outside of personal reasons for preferring one method over the other, there should be no real difference in the feel, sound or intonation of the guitar.</p>
<h3 style="text-align: center;">Electric Guitar Strings</h3>
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<h2>Method</h2>
<p>There will be only a single variable in these tests: the method of stringing the guitar.</p>
<ul>
<li>All guitar strings used are 10-46 gauge, from the same brand.</li>
<li>The guitar has locking tuners and will be strung straight through, with no slack or extra windings.</li>
<li>Measurements will be made with high-quality, accurate tooling.</li>
<li>The guitar will be strung in a room with a consistent temperature/humidity on the same day, to ensure that there is no chance for any environmental changes to affect the guitar neck.</li>
</ul>
<p>If there is a change between tests at the 12th fret but not at the bridge, we can be sure that movement has occurred to the neck.</p>
<p>If there is a change at the bridge and the 12th fret, we can calculate how much of that had to do with the bridge moving and how much of it was the neck. We’ll do this by comparing the differences in movement.</p>
<h3>Step 1: Get a control</h3>
<p>This guitar was re-strung 1 week before the tests with a set of 10-46 gauge strings. It was set up to the players liking at the time. We will measure the string height at the 12th fret, as well as how high the tremolo system is floating off the body. The intonation will also be measured with a precise, accurate digital tuner. This will check how sharp or flat each guitar string is at the 12th fret and the 12th fret harmonic.</p>
<h3>Step 2: Replace strings all at the same time</h3>
<p>We will restring the guitar using a fresh set of 10-46 strings, from the same brand as the original set. The guitar will then be tuned to E standard and measured in exactly the same way we measured in the control tests (above). For this test, we will remove all 6 strings at the same time and then replace them.</p>
<h3>Step 3: Replace strings one at a time</h3>
<p>This step is very similar to step 2, but we will remove one string and replace it before moving onto the next one. Again, this will be done with a fresh set of 10-46 strings, from the same brand.</p>
<h2>The Tests</h2>
<p>Using a Stewart-MacDonald String Action Gauge, we measured the string height at the 12th fret on both sides of the neck. We also used the same tool to measure the bridge height, to see if that would move through the test.</p>
<p>This set of 10-46 strings had been on the guitar for a few days at this point, so they had time to settle. Here are the measurements of the guitar at this point:</p>
<table>
<tbody>
<tr>
<td></td>
<td><strong>Control</strong></td>
</tr>
<tr>
<td><strong>Fret 12 Height (e) [inches]</strong></td>
<td>0.075</td>
</tr>
<tr>
<td><strong>Fret 12 Height (E) [inches]</strong></td>
<td>0.105</td>
</tr>
<tr>
<td><strong>Floating Bridge Height [inches]</strong></td>
<td>0.1</td>
</tr>
</tbody>
</table>
<p><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-2-min.jpg"><img class="alignnone wp-image-127" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-2-min.jpg" alt="string height" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-2-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-2-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-3-min.jpg"><img class="alignnone wp-image-128" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-3-min.jpg" alt="string height" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-3-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-3-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-1-min.jpg"><img class="alignnone wp-image-126" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-1-min.jpg" alt="bridge height" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-1-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/Control-1-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a></p>
<h3>Changing Guitar Strings All At Once</h3>
<p>After taking those measurements, we removed the old strings from the guitar and replaced them instantly with a fresh set of the same gauge strings. Like the setup before, they were pulled straight through the peg and locked in place using the locking tuners. There were no extra winds to add any variance to the neck/string tension.</p>
<p>After this, the guitar was remeasured, and we found some interesting results. We can see that there was a slight increase of 0.005 of an inch on the highest e string, and a larger 0.015 of an inch movement on the lower E string.</p>
<p>The bridge, however, did not move at all, staying at a solid 0.100 of an inch.</p>
<table>
<tbody>
<tr>
<td></td>
<td><strong>Control</strong></td>
<td><strong>All At Once</strong></td>
<td><strong>Difference</strong></td>
</tr>
<tr>
<td><strong>Fret 12 Height (e) [inches]</strong></td>
<td>0.075</td>
<td>0.08</td>
<td>0.005</td>
</tr>
<tr>
<td><strong>Fret 12 Height (E) [inches]</strong></td>
<td>0.105</td>
<td>0.12</td>
<td>0.015</td>
</tr>
<tr>
<td><strong>Floating Bridge Height [inches]</strong></td>
<td>0.1</td>
<td>0.1</td>
<td>0</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<p><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-2-min.jpg"><img class="alignnone wp-image-130" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-2-min.jpg" alt="string height" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-2-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-2-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-1-min.jpg"><img class="alignnone wp-image-129" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-1-min.jpg" alt="string height " width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-1-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-1-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a> <a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-3-min.jpg"><img class="alignnone wp-image-131" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-3-min.jpg" alt="bridge height " width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-3-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/All-at-once-3-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a></p>
<h3>Changing Guitar Strings One At A Time</h3>
<p>Following the same system as before, we changed these strings one at a time, not unlocking the string until it was time to change it. By restringing this way, some tension is kept on the neck at all times.</p>
<p>What we see here is interesting, but not entirely unexpected. The high e string got a little bit higher, however it rose by exactly the same amount as it did when we replaced the strings all at once. Despite this, there was next to no movement on the lower E string. Once again, the bridge did not move at all.</p>
<table>
<tbody>
<tr>
<td></td>
<td><strong>Control</strong></td>
<td><strong>All At Once</strong></td>
<td><strong>Difference</strong></td>
<td><strong>One At A Time</strong></td>
<td><strong>Difference</strong></td>
</tr>
<tr>
<td><strong>Fret 12 Height (e) [inches]</strong></td>
<td>0.075</td>
<td>0.08</td>
<td>0.005</td>
<td>0.085</td>
<td>0.005</td>
</tr>
<tr>
<td><strong>Fret 12 Height (E) [inches]</strong></td>
<td>0.105</td>
<td>0.12</td>
<td>0.015</td>
<td>0.12</td>
<td>0</td>
</tr>
<tr>
<td><strong>Floating Bridge Height [inches]</strong></td>
<td>0.1</td>
<td>0.1</td>
<td>0</td>
<td>0.1</td>
<td>0</td>
</tr>
</tbody>
</table>
<p><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-2-min.jpg"><img class="alignnone wp-image-133" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-2-min.jpg" alt="" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-2-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-2-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a><a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-1-min.jpg"><img class="alignnone wp-image-132" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-1-min.jpg" alt="" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-1-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-1-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a> <a href="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-3-min.jpg"><img class="alignnone wp-image-134" src="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-3-min.jpg" alt="" width="1000" height="666" srcset="https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-3-min.jpg 1440w, https://blog.andertons.co.uk/wp-content/uploads/2018/01/1-at-a-time-3-min-768x512.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></a></p>
<h2>Conclusion</h2>
<p>Do the results of these tests prove that you should always replace your strings one-by-one? Probably not. While we did see a marginal difference in the ‘all-at-once test’, it was by such a small amount that in the grand scheme of things – it is not something you need to worry about!</p>
<p>In that test, the movement we saw with both the neck and bridge was almost immeasurable (less than 0.01 of an inch.). With that, we are comfortable to say that there is practically no measurable difference between these two guitar restringing methods.</p>
<p>So, while objectively there is no real difference to the end result, varying guitar models and different people will have contrasting needs when it comes to changing strings. Below, we have detailed a list of pros for these different methods.</p>
<h3>FAQs</h3>
<h4>Why you should change your guitar strings all at once</h4>
<ul>
<li>Better ability to clean the guitar.</li>
<li>Faster than changing them one at a time.</li>
<li>Best time to prepare a guitar for a setup.</li>
</ul>
<p>If you are confident with a screwdriver and some hex keys, I recommend taking the time to learn the basics of setting up a guitar and replacing your strings all at once. This is the best way to keep your guitar in the best playing condition.</p>
<h4>Why you should change your guitar strings one at a time</h4>
<ul>
<li>Tailpiece, Bigsby and Floyd Rose fitted guitars are much easier to change when replacing one string at a time.</li>
<li>Reduces risk of accidentally putting out the intonation or action.</li>
</ul>
<p>If nothing scares you more than accidentally messing up your guitar’s intonation, then I recommend replacing them one at a time. This is especially if it has a tailpiece, like a Les Paul tune-o-matic or a Bigsby/Floyd Rose tremolo system.</p>
<p>You will eventually have to give in though and occasionally replace your guitar strings all at once, to give the guitar a good clean and a setup. If you are not confident doing this, taking your guitar to a tech once or twice a year to get it cleaned, setup and restrung is recommended.</p>
<h3>Conclusion</h3>
<p>Personally, I noticed no real-world difference in the feel, playability, intonation or setup of the guitar between changing guitar strings using either method. I will continue to change guitar strings all at once, so I can easily clean and refine the setup each time I restring.</p>
<p>What do you think about the results of this test? Leave a comment and share your thoughts!</p>
<p>If you&#8217;re interested in finding the answers to some of the most notorious guitar myths around, check out more of our Labs articles by <a href="/labs">clicking here.</a></p>
<p>Check out the huge array of guitar strings on sale at the <a href="https://www.andertons.co.uk/guitar-dept/electric-guitar-accessories/electric-guitar-strings">Andertons website</a>.</p>
<p>The post <a rel="nofollow" href="https://blog.andertons.co.uk/labs/best-method-changing-guitar-strings">What&#8217;s The Best Method For Changing Guitar Strings?</a> appeared first on <a rel="nofollow" href="https://blog.andertons.co.uk">Andertons Blog</a>.</p>
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